Beliefs beyond civilization

Alexandrine 2022-03-20 09:01:19

Many people can clearly point out the era when the new frontier swept across the continent in American history. However, how many people have actually stepped past the intersection of civilization and history and really witnessed everything on that barren continent? In this step of the Western movie that is still compliant, the director did just that, telling the story with the voice of a 14-year-old girl, and bringing us into that world.

Just like the western movies in the past, the sheriffs, starting from the town, stepped into the wilderness, captured some xx robbers, and returned triumphantly. The difference is that the ending of this story is sad and warm.

The town is naturally a so-called civilized/free gathering place, and Mattie Ross talks about his lawyer, jury, and family from time to time when he is bargaining. However, in the scene on the gallows, the Indians were blindfolded before they could speak in the future. When the three figures fell, people couldn't help feeling tight, as if to imply the ambush behind all prosperity and peace.

Except for the prosperity of the town (it’s okay to be dilapidated, but lively enough), the desolate land is empty. Alcohol, shooting, violence, these elements should be in Western movies. The director also humorously asked a guy in bearskin to make a cameo. There are no lights in the bushes, no houses to protect against the cold, and only a winter wilderness, which is dangerous and charming.

A 14-year-old girl, even though she matures prematurely, has to be small in this desolate land. Starting from her warm family, she climbed a tree to cut off a dead person, climbed the roof to cover the chimney, and then watched the finger of a poor guest character be chopped off. Finally, she sat in a row with a few corpses. Leave.

There are no heroes and no controversy in the Coen Brothers movies. It is similar to the so-called martial arts arena, where grievances are repaid, those who owe lives pay back, and those who owe money pay back. Mattie just wants to avenge his father. Marshall may be for the dollars, but in the final analysis, he is about to decay in the so-called civilized town. Only horseback and violence can shape his glory.

In a country that is not bound by law, Mattie also seems to believe that if you pursue what you want, you also need a price. It is as if the murderer will pay the price for his actions after he escapes. During the running day and night, a person accidentally sent her enemy to the front. When she shot down the enemy, suddenly everything suddenly had an answer.

The Coen brothers used a snowy night to end the story of revenge, with soft snow, a tired horse, and the warm and firm light at the end of the night to end the beliefs and laws of that era. And Mattie is also a few years later, looking for a partner that he couldn't have. Only the lost arm and the unforgettable story on the soul reminded her-yes, everything has happened before, on that barren land, under the sky that civilization has never reached...

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Extended Reading
  • Joannie 2022-03-25 09:01:06

    The nostalgia of the Coen brothers, the renewed tribute to the passing era, the completion and personalization. Two points, the precise application of the female perspective, and the lack of the reunion of the Cohen brotherhood that finally makes people find back.

  • Karlie 2022-03-21 09:01:21

    Strong western cowboy style

True Grit quotes

  • Mattie Ross: [Mattie tries to persuade LaBouef to continue the hunt with her] Have I held you back? I have a Colt's dragoon revolver which I know how to use, and I would be no more of a burden to you than I was to the marshal.

    LaBoeuf: That is not my worry. You have earned your spurs, that is clear enough... . you have been a regular old hand on the trail. But Cogburn is right, even if I would not give him the satisfaction of conceding it. The trail is cold, and I am... considerably diminished.

    Mattie Ross: How can you give up now, after the many months you've dedicated to finding Chaney? You have shown great determination. I misjudged you. I picked the wrong man.

    LaBoeuf: I would go on in your company if there were clear way to go. But we would be striking out blindly. Chelmsford is gone. We have chased him right off the map. There is nothing for it. I am bound for Texas, and it is time for you to go home too... . The marshal, when he sobers, is your way back.

    Mattie Ross: I will not go back! Not without Chaney, dead or alive.

    LaBoeuf: I misjudged you as well. I extend my hand.

    [He does, but Mattie does not take it]

    Mattie Ross: Mr. LaBoeuf! Please!

    LaBoeuf: [LaBoeuf keeps his hand extended; Mattie eventually squeezes it] Adios.

    [LaBoeuf rides away]

  • Mattie Ross: That is my father.

    Undertaker: If you would like to kiss him, it would be all right.

    Yarnell: He's gone to heaven. Praise the Lord.

    Mattie Ross: Why is it so much?

    Undertaker: The quality of the casket. And of the embalming. The lifelike appearance requires time and art. And the chemicals come dear. The particulars are in your bill.

    Undertaker: If you'd like to kiss him, it would be all right.

    Mattie Ross: Thank you, the spirit has flown.