Actress assume replaced Scarlett Johansson, it would be quite a flirt means of subtle version of "skittish";
and suppose replaced Julia Roberts, it may be successful romantic comedy;
Suppose replaced by Vivien Leigh year or Ingrid Bergman will be defined by many as a typical Hollywood brainless romance of the last century.
In fact, I think the plot is indeed a little mentally retarded compared to the title of the play, and the emotional outlook discussed is popular knowledge for modern people. But put it in 1961, all the reasons for insufficient can be established.
Audrey's style is so classic that it can't be done. The playful courtesan holds a slender bong in her hand, but she can't see the style she should have. Even if the character is set to be an unpleasant gold worshipper, Audrey is still really cute And charming.
Fortunately, the movie is not a novel, the processing of the lens and the setting of the scene will make up for the lack of novelty in many main plots. At the beginning of the film, she came down from Taxi, stood in front of Tiffany's window in a gorgeous dress, focused like a child looking forward to her own toys, and held her inner expectations and envy. The scene where the left hand lifts the coffee lid and throws it into the paper bag and switches to the right hand, taking a bite of the croissant is beautiful and cordial.
I got goosebumps when she sang Moon River with her little Hawaiian guitar wrapped in a headscarf on the sofa, even though I've heard this song many times, I've never had such a reaction. Kind of like watching Black Swan and hearing Swan Lake and the Slam Dunk episode somewhere.
It takes courage to write a review for a film that is already considered a good one, but I really don't want to give it five stars. In contrast, "Roman Holiday" does not have a five-star rating to have no girlish feelings. (Of course, I also like "Fight Club" and "Sin City", which I don't know what the feelings are)
As for female stars who often imitate the looks in the movie with a tribute to the opposite angle, I really don't have any other words other than scolding idiots. It is described that if Maggie Cheung is not so skinny, maybe she can become the next Hepburn, and if Cecilia Cheung does not make such happy films as the strongest happy event, she can also be among such ranks. But I am bullish on Natalie Portman. (Four or five years later, when I look back at this comment, I feel that I am still too young, and the world today or the world in the future will not have the youth of the past.)
In short, there is no doubt that we pay tribute to Audrey's style. It's better than everything.
Classic is not an overnight product, and gorgeous is not a stereotyped affectation and anachronistic jewels. However, today's era no longer cherishes classical beauty, until all your support is left in the last century without being stained by dust, it will feel more precious.
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