The acting is excellent and the director is the director, and he is a handsome guy, and his girlfriend is a popular star and a beauty. Generally, when people see things that are messed up, they will frown first, and show the beauty of the director and his girlfriend in their minds. Think back to the good times you had in front of the screen with such a beauty, and then applaud. However, Guillaume Canet's talents are both good-looking and talented. It should be said that in his not long directorial career, this classmate's talent is quite sufficient in terms of insight and performance, which can make people look forward to its follow-up development. a handful.
The crash scene at the beginning of the film is probably the most horrific car accident scene. Although it is a panoramic view, it was very lively and feasting just a moment ago. At this moment, there was no one around. The motorcycle guy was like us after the usual party, riding a car through the streets familiar to the audience, because it was too quiet, too ordinary, too absent. There is an unexpected atmosphere, so even though I knew that an accident would happen next, my mind was entangled in the question of "this road looks familiar, ah, I recognize this building". The camera stopped, and when no one thought of it, the slanting stab came out without a trace of preparation, and the cinema was full of screams.
c'est la vie, canet children's shoes are saying in this way - life is not a box of chocolates, but strange beans sold on the Hogwarts train, you really never know what the next taste is.
Every time I carry my backpack and say indifferently, "I don't have a hotel reservation, I can't sleep on the street." Someone will worry about safety, and I always say that the probability of a car crash or a plane crash is higher than that of being robbed on the road. There are many people who kill horses. In fact, I feel that such a dramatic thing will not happen to me. I'm too ordinary, too ordinary to be worth being a part of any drama. At best, I'm just playing tricks on others as a human background.
However, Long Taojun is sometimes killed by the protagonist. It was the first time I knew someone's death. When I heard the news, I thought it wasn't real. Because I didn't see the body in the end, I haven't felt that real until now. Later, every time I received a death notice, I didn't feel real. I even saw the body at the funeral, and my eyes widened. I was still in the "rejection" stage of the five-part series, because of such a dramatic thing, life and death are not the same thing. It should have happened to me, I hope to forget about it and go back to normal life, and one day when I open my eyes, everything will be back to normal.
It wasn't until a long time later that I realized that this was not a movie or a filming. I came back after no cut, and I couldn't go back. Only then did I cry.
These protagonists have the same idea as me. Too young - by European standards - not ready to embrace and face parting (Eric and Antoine's childishness is shown at times in the film). They think it's just an episode, escape it, forget it, come back from vacation, the badly injured friend must have recovered, they don't have to face the puffy face every day, they don't have to watch death step by step, raise the knife and chop it down ...May I ask canet children's shoes have also gone through this kind of mentality, so they can grasp it so accurately? That self-deceiving rush, those desperate excuses for escaping, I also told myself - I can't do anything here anyway, so I might as well walk away for a while, maybe when I come back, I'll be better, so I run away in relief . In the end, I learned from the phone that "I have passed away", but I will regret it for the rest of my life. However, people are so stupid, and they will continue to be stupid.
The whole story thus begins with a shocking crash that revolves around the "rejection" phase of the death quintet. Not only the badly wounded friend, everyone refuses to think about the possibility of his death, but everything else in life also deceives itself and refuses to accept the possibility of change. Knowing that the people on the bed are passers-by, and afraid of being rejected, so I quietly wait for the day when my fantasy will finally reunite. The Destiny Girl has appeared, and she is unwilling to take it back, and she still indulges herself. The movie repeats such "unwillingness to face the facts and accept changes" in every detail - the same group of people go to the same place and repeat the same vacation every year, Vincent said that I was too young when I got married, and now married life forces me almost Choking; Marie says Vincent I loved you but didn't confess it at the time; Eric asks Marie why you've slept with everyone and we haven't slept, Marie replies "because we're so good"; a ferret creeps in Went to the house but no one cared, only Max heard the small noise (of course only he heard it, because only he was forced to face the accident by classmate V), and his behavior of trying to find and catch this small animal was recognized by others Outbursts of incomprehensible control freaks.
Now that's fine. However, just like the truck that was knocked out of the slash, some people were bold, and some people were inferior. If being hit is the fate laid on the tone, then Vincent's children's shoes are the pusher who keeps hitting the door in the foreground. The most dramatic conflict in the film begins with his confession. It was a shocking confession without the drama of a romantic movie - we've known each other for fifteen years, and you know I'm not gay, but I love you, your hands, your personality, even your personality. Love your flaws too. Of course, just like real life, real human nature, when we confess to the same sex, we must have reservations. If we are really entangled or directly pushed down, it will turn into a romantic film that lacks realism - all Vincent wants is "amis" amis" (actually, what the hell is the relationship between God and horse?!), and does not require further development (of course, classmate V still desires - why not, maybe, classmate V said so), even so, it's scary enough . Of course, it was strictly rejected by Max (the ups and downs of François Cluzet's expression in this section are really priceless). But after refusing, it's not breaking up the relationship, but "I didn't hear it", "I didn't say it", "Let's forget about it", "Let's be the same as before" (Such a familiar dialogue! Well, I did this too!).
It can't be the same as before. Every eye, every hug, every action that I used to do before, is different. In a joke that is full of oil, salt, sauce and vinegar flavor and powerless (like the feeling that someone accidentally makes a fool of himself when friends are eating together), the contradiction between Vincent and Max in the foreground is pushed to the brink of explosion, and there is no way to deny it. There's no way to pretend that you don't know, there's no way to pretend that nothing happened, and all the conflicts lurking behind the background have come to an end. It has to be faced, it has to be solved, it has to accept the drama in life and the ending of the drama. Some people brought back their girlfriends, some people lost their loved ones.
Someone else died.
I can no longer refuse to face it, there is only crying, only mourning, only recollection and regret. At this time, Max finally hugged Vincent and said "don't cry", but he cried and shivered (this scene is exactly the opposite of the scene where they reconciled after a big argument at the vacation house, so we can understand that we finally responded to V classmates are in the mood of bitter love). Jean-Louis brought sand from the sea, as fine as everyone's life, as if it could be blown away by the wind at any moment, to bury their mutual friends and the days they walked together.
In addition to the director's girlfriend, I do it my way , this film brings together popular and emerging French stars, and even Ludo and Juillette, who are in charge, are also made by Jean Dujardin and Anne Marivin. It's not the same who will play the role with such a face!) It seems that Canet's classmates, who also write and direct, are very popular. The film set the tone right from the start, capturing the drama of life's most mundane details as it progresses (a lot of scenes are interesting and easy to understand, I really want to make a full review of it) , and rationally organizes the presentation, shaping a group of different characters, using their personalities and relationships to naturally drive the plot forward, until finally a discourse is completed. Complete, delicate, sensitive and precise. Carnet, who has embarked on the traditional French route of humanistic relations, is really talented and talented... When he was young, everyone saw it wrong (the handsome guy even made a pair with Cotillard, you still let people live!)
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