So today, seeing the jokes of the past appear on the big screen in such a serious form, I can only say to Mr. Peng Haoxiang, it's yours.
From forced eviction to unsuccessful property purchase, this topic really makes people in the north of Hong Kong feel the same. Of course, for Peng Haoxiang, a certain criticism or proposition is not the main course of a movie, it may only be an appetizer, dessert or meal. It's just after drinking - not to mention that this movie is only a third-level film. For entertainment films, everything starts from seeking interest and building the story itself, rather than from ism or morality. This is the attitude held by most Hong Kong directors. Mainland directors prefer to show grand themes, noble qualities or criticism regardless of the occasion. Spirit, but often does not manage the story well. As for Peng Haoxiang, he prefers to focus on the mundane details of urban life, to discover unique interests from old friends' gossip, newspaper anecdotes or random thoughts, and re-expand it, adding other elements such as the background of the times. Build into a completely unusual story. "Zhiming and Chunjiao" originated from the smoking ban and the people who boiled smoke and water. "Exodus" originated from the imagination of the dialogue between ladies in the bathroom, and all these seemingly trivial things were created by Peng Haoxiang. The final product produced is often unexpected. The same is true of "Victoria No. 1". Starting from the bizarre murder case, Peng Haoxiang starts from the details, and gradually enriches the motivation and process, from the childish girl to the murderer. The realistic meaning is full of flesh and blood, full of flavors.
If we say that the most outstanding selling point of the film is naturally a killing scene with a heavy taste, Wang Qing plays a security guard who was killed. The blue light, editing and sound effects are very similar to the early Hong Kong ghost films. , and the next few shows have become the best exhibition of death method design and makeup skills, and Teacher Lian Kai has made great contributions. This series of fancy slaughter performances without hesitation, pity, hypocrisy, and remorse, plus the previous episode of Xu Shaoqiang's death, Mr. Peng Haoxiang's cruelty this time is amazing.
Thrilling violent scenes, coupled with the so-called true story, but full of twists and turns, this "Victoria No. 1" can't help but remind people of the "Hong Kong Mystery" series, and under Peng Haoxiang's men, Become more mature and refined. More importantly, today's Peng Haoxiang may not be quite similar to that of the past, but he is still full of black fun as always.
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