Pang Haoxiang is probably the most cult of Hong Kong's young generation of directors. His cult is not like B-grade films for B-grade and B-grade. Peng Haoxiang always fills the film's rough and perverse appearance with a sharp and ironic core.
Is 'Victoria One' really a story about a serial killer who kills people to buy a house? It is of course correct to think so, but it has to be said that another layer of meaning of this film is actually the extreme presentation of the extreme personal struggle of ordinary people under economic pressure and the extreme way of solving problems. He Chaoyi seems to be successful in the movie, but Peng Haoxiang told everyone at the end of the movie that even if you are a murderer, you are actually just being played by the economy and the higher level represented by the economy.
Didn't you kill someone because you wanted to buy a building for your childhood love but couldn't buy it? Didn't you change anything after you bought the building? Except you got a building (a house) just?
And the smile on the insurance broker's face when he handed He Chaoyi the cheque she dreamed of was so contemptuous and aloof.
He Chaoyi, who killed his father, and He Chaoyi, who has a wound on his face, is actually a lonely ghost in everyone's mind, facing the tragic situation that cannot be changed.
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