A while ago, an unexpected mix and match appeared on the body of a homeless man, Cheng Guorong, "Brother Sharp". He added all the clothes he had picked up to his body, and was accidentally caught by others. With his frowning expression when he was photographed, he was dubbed "Brother Sharp" and became a huge hit. The appearance of "Brother Sharp" was just an accident. He was just "sharp" and "cross-border". In literary and artistic works, there are actually too many crossovers or mashups designed by screenwriters, such as all kinds of circulated dramas. However, when such a crossover is dubbed the name of magic or science fiction, it seems to be natural, and it does not give people a strong sense of abruptness. A film like Harry Potter isn't even a crossover. What impresses me is "Secret Love: Peach Blossom Land", one modern and one ancient, alternately staged, conflicting and confirming each other, creating a near-perfect mashup. But then again, "Secret Love: Peach Blossom Land" is an inseparable complete play. The two stories seem to be independent, but once they are really independent, there are not too many surprises, at most they are quite satisfactory. Among the mash-up films, the most surprising is still not more than "Kill a Dawn". Although it has been almost 15 years, and two follow-up works have been released since then, the story of the first one is still moving and moving. People who haven't seen it, no matter when they watch it, they will be exclaimed by its sudden turn. And those who like B-level films will be hooked after watching them.
When going into and out of the ravine of genre films, in the difficult crossing between the road film and the horror film, when you see "A Dawn", you will immediately feel that the Shenma road film Shenma horror film is full of clouds. It seems that two things with clear boundaries suddenly merge into one in the same place, which is beyond ordinary.
Two outlaws, one is "George Clooney" and the other is "Quentin Tarantino", in the western United States, fighting all the way to Mexico. First, he fought with the sheriff and the store clerk in the town, then raped and murdered the hostages, and then seized the passing RV and continued to flee. Finally, after going through untold hardships, he escaped from the US border. Seeing that you have arrived at your destination, it is enough to drink a cup in peace and wait for the person who comes in to wash the dust for yourself. But at this time, only half of the length of the movie was released, and the other half of the film must mean a resurgence of the storm. And this storm turned out to be vampires and ogres. In this nightclub on the US-Mexico border, robbers and hostages suddenly discovered that they were trapped in demons, so it became necessary to join forces. A war between humans and vampires is re-enacted, and it is more hot than the previous road clips. And with the death of one person after another, a difficult night, when the sky was dim and the sun appeared again, the boundary between life and death was only a sigh sitting on the ground.
Inadvertently and suddenly, this method has been climaxed by screenwriter Quentin Tarantino and director Rodriguez. The so-called geek is like this. In fact, as early as "Pulp Fiction", Quentin had already combined three different novels together, but this time he just put together two stories, and the ease of it is naturally not a problem. As for Quentin and Rodriguez, their cooperation was joined up again in the later "Execution Chamber", but when comparing Quentin's "King Kong Is Not Bad" with Rodriguez's "Planet of Horrors", Quentin is better than Rodriguez is still one step ahead. In recent years, Quentin's works have not failed at all. And Rodriguez has mixed reputations, and the latest "Scimitar" has not brought him new heights, which cannot be said to be a pity,
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