A killer, who came from a foreign land, doesn't know his identity or his methods, he can only feel his weirdness and the chill that he brings to people. It's best not to mess with such people.
But there are still people who mess with him. The people who mess with him are on the lap of politics, and there are gangs as their backers, thinking that this will be foolproof. However, this time the wrong person was found. Because this person is a machete, a person is a knife, and the name is also a machete.
The machete was hired to kill, to kill a man of great power. While the machete was killing people, he found himself caught. Scimitar finds himself just a pawn, and one of the people who hires him is the one he wants to kill. The weirdness of this world all came together. But the weirdest thing was the machete, and he decided to take revenge and stop being a pawn.
When the machete exerted its force, everyone found that they were wrong, and that they should not stand on the opposite side of the machete. So, the blood flower appeared, appeared, appeared again. The only constant was the machete, stabbing straight in, piercing everything he was willing to pierce.
So everything is lonely. From Scimitar's opponent to Scimitar himself, Dugu seeks defeat, and the loneliness of defeating is all lonely. This loneliness extended to the onlookers, who felt lonely even when they were separated from the screen. Because this machete is too brave, so single, so single that it makes people feel boring. Therefore, the tragedy of the tragedy of "Scimitar" lies in this. The beginning is a climax, but after the climax, it drags a redundant tail and refuses to end. In fact, apart from the climax, the rest of the gods and horses are all clouds.
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The following text I wrote a few days ago always felt very boring, so I didn't post it in the draft box, so I will add the above text today, It is volatilized. Then complete the following supplements. Since it is written, I am not willing to delete it all.
Danny Trejo, as a weirdo in Hollywood, will have a role in many films. Although he will leave a distinct impression because of his unique appearance, unfortunately this impression will always be fleeting. Because his role is so unremarkable. But, luckily he has a good relative, Rodriguez, one of the famous B-movie directors.
With characteristic actors like Danny Trejo, and relative directors like Rodriguez, it would be a real pity if there was no spark. So Luo Dao took advantage of "The Punishment Room" and successfully took out the old goods that had been sitting at the bottom of the box for more than 10 years, and began to officially shoot a blood-splattered B-level film. Long before Director Luo made the "Murder Trilogy", he had already created the script "Scimitar", but because of his unknown nationality, no investment was made in this film full of loopholes. Now, Luo Dao has already become the man who calls the wind and the rain. When he comes to work on this film, there is almost no resistance. Moreover, relying on his appeal, he has found a lot of beautiful women. If it was really filmed back then, I think it would not be remembered by anyone now.
Weird millet, beauties, knives, guns, smuggling, racial discrimination, unscrupulous police, rogue politicians, wanton killings, blood splattered, these elements come together to stimulate people's adrenal glands, and that's exactly what it is. Such clut films make people who are interested in B-grade films cannot help but pay attention.
A person, his name is Scimitar, a very violent monster, or a Mexican policeman, who smuggled to the United States to make a living in a small town. In order to kill for 150,000 US dollars, the result was a plot, so he turned around and started revenge. This kind of plot is a bit bloody, and the traces of patchwork are obvious. It seems that they are designed to fill the plot. But as a B-level film, these are nothing, and it is enough to watch the killings in it. What's more exciting than the four streams of plasma. At the beginning of the film, the setting of killing is really good and creative. But the next part, in terms of creativity, did not exceed the beginning part, which seemed a bit sloppy. This also makes the whole film feel a little anticlimactic, not so powerful.
But in any case, it seems very suitable to hand this film to Danny Trejo. As long as you stick with it, there will always be a film that suits you waiting for you. Jeff Bridges and Sandra Bullock, who won the Best Actor Oscar last year, have been living on the edge of the spotlight for a long time, but because they bumped into a film that suits them best, their luck came to an end , to win the most important award in life. For the feature actor Danny Trejo, don't even think about winning the award. The chance to be the protagonist is precious. "Scimitar" gave him this opportunity. Perhaps this is the beginning of his spring.
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