A moment of negligence, the disappearance of her son, crushed her body, but her will remained. She didn't want to hurt others, didn't want to trouble more people, didn't even dare to recognize the body, and insisted that her son was still alive, somewhere on the island.
It can be seen that the loss of the child hit her very hard, and gradually began to have hallucinations, the spirit often strays from the body, and the body also reacts, causing inexplicable nosebleeds and then fainting. But her expectations for the child were still supporting her to keep looking, even though her haggardness was written on her face, and she was on the verge of collapse at any time.
There is not much conspiracy here, nor too much sin, there is only mother's pain. In her eyes, it seemed that no one on the island could be trusted, not even the police and doctors who had helped her could make her settle down. Although a woman's unique sensitivity and tireless search did reveal a truth and reunite another family, she was still hurt.
The moment she jumped into the sea, she met her son in the water, but her hands gradually drifted away, and she really woke up. It's time to let go, the deceased is gone, and you should accept the fact.
There is not much suspense in the film, and it always shows the mother's pain of losing her child. In blaming herself, she forces her body to find unwarranted hope. It can be understood as crazy, or it can be said to be nonsense, but it is still touching to reveal the great maternal love. One's own tragedy can be exchanged for another perfection, and it is enough to comfort the children in heaven.
View more about Hierro reviews
