The future is unknown, but Yi Zhiyan's past is imprinted on the blue door.
Zhang Shihao wore a floral shirt through the streets of Taipei, and the manly Xiao Mei rode a car to chase after him. How did the 43-year-old Yi Zhiyan realize such feelings? Yi Zhiyan, who graduated from UCLA, seems to be very concerned about the young people in Taiwan nowadays. The TV series "Dangerous Mind" is a wonderful piece of Taiwanese drama. The beginning of all this still has to start from "The Blue Door". A middle-aged uncle observes a girl with a confused sexuality and a healthy and upward young man. Sparks appear little by little. The heart of this middle-aged uncle in his 40s Xiaoqing broke out, and the uncle wrote such words:
"Because you are kind, cheerful and comfortable, you should be more handsome."
Uncle, you are too awesome!
Unlike other so-called Taiwanese youth films, "Blue Door" does not focus on homosexuality, nor does it have a narcissistic and narrow juvenile mentality. The whole film is full of clean positive energy. Zhang Shihao melted the heart of a girl who was cold in midsummer with pure love like water. The narration of the whole film is simple and clean, and the ups and downs of the music are appropriate to the scene, which looks quite seamless. Afterwards, "Midsummer Light Years" and "Summer's Tail"...such as movies, etc., none of the movies have a clean language as this movie, because they are obsessed with making fuss about small propositions such as homosexuality and sadness, but they never I don't know that "The Blue Door" interprets the most ordinary and simple youth with the last love and sudden openness. In the movie, Meng Kerou also had confusion and irritability, but those were resolved in the music festival by the sea, Zhang Shihao's smile and the mineral water bottle that the physical education teacher had drunk.
After watching several of Yi Zhiyan's plays, I found that his plays have two characteristics: they have dance plots, and they like to use repeated dialogues to create a dramatic atmosphere. In terms of dance, the dancing of Lin Yuezhen and Meng Kerou can only be regarded as a rough opening. In the subsequent "Map of Love" and "Dangerous Mind", Yi Zhiyan has considerable enthusiasm for the lightness and beauty of this movement. It's no wonder that simple cycling is often seen in many movies, but Yi Zhiyan was able to shoot a different feeling in "The Blue Door". He thought of using the fluttering of floral shirts to set off the atmosphere, which is not very sensitive. The dynamic consciousness of , must not be photographed.
There are also quite a lot of repeated and repeated speeches in "The Blue Door", but they do not appear to be nagging, and have another flavor. Especially when the mainlanders listen to the Taiwanese, the repetition seems to be as coquettish as coquettish. In "Dangerous Mind", Yi Zhiyan's repeated speech is also becoming more and more intense. In fact, this method aims to weaken the technicality of the dialogue, thereby enhancing the quality of life. I believe Yi Zhiyan himself has considered this point. Therefore, many of the repeated dialogues in "Blue Door" have become classics - such as Zhang Shihao's self-introduction.
Years later, the manly lady Meng Kerou got up, and her words and deeds became regular; the sunny Zhang Shihao became an uncle, decadent and gloomy; but the director uncle disappeared. It is said that he is now teaching.
Uncle, please continue to cheer up, let your sensitivity go more thoroughly, and make more good scenes? Once upon a time, every time I watch your movies, I can't help but feel refreshed.
That is a kind of pure power that can't even install B.
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