Prologue: Lend you to others, but keep yourself to yourself.
Nana is just an ordinary Parisian girl. Ordinary, I don't think she can achieve anything.
The 11th act of the film is fun, where Nana meets a philosopher in a restaurant. "Suddenly I don't know what to say; I often have this situation: I know what I want to say, I wonder if it's what I'm thinking, but when it's time to say it, I can't say it It's gone." This was Nana's opening remarks.
In fact, something similar is said by Nana in Act 1, about words and thoughts and actions: the more we talk, the less meaningful it becomes. You say you love me but you don't think I'm special. I don't like you very much but I still think you're special.
The philosopher in the restaurant told the ordinary person Nana about Kant and Hegel, starting from "The Three Musketeers", when Porthos suddenly remembered to think about how to run and how to walk, he suddenly forgot how to run, so he It was blown up by a bomb he set.
Nana has said more than once that everything is true. Perhaps speaking is speaking, thinking is thinking, and action is action. However, everyone is responsible for their own speech and behavior. Even if you forget to be responsible, you are still responsible, and the responsibility will still be on your head.
In Act 2, Nana is at the record store, and Godard gives her the title "Do whatever you want". At the time she was looking for records for a guest, and then took the guest to pay the bill. This is Nana's work, a little monotonous and a little frivolous. "Everything is true", Nana wants to be an actress, but she has always been an ordinary person. Has Nana ever seen her true colors? Is there really no way for Nana to go?
In Act 3, the movie Nana watched was Joan of Arc. When Joan of Arc learned that she was going to die, she said: God knows our final path, but we will know in the end. The God of Joan of Arc did not rescue her from "la mort", but we have never died, how do we know that death must be bad?
I really liked Act 8, I didn't expect Godard to make the story so "nutritious and not pornographic". When Cai Mingliang was filming "A Cloud in the Sky", including himself and Li Kangsheng, Chen Xiangqi, and Yang Guimei were all confused, that is, is it an A movie? I think it's impossible for Cai Mingliang, who likes the new wave, to have not seen this scene. Prostitutes are an industry, just like record store salespeople. has its own rules. When the city street lights came on, Yingying started a new round of despair. The night is desperate, just like Ruan Lingyu's goddess. The same goes for these desperate Parisian women who work as prostitutes.
In Act 9, Nana wonders if she is happy. In the club, on the jukebox, she danced, but no one responded. The three men present looked in amazement and rejection.
Act 11 is the beloved of many. This old man is very cute. He taught philosophy, thinking, lies, and love for this common Parisian prostitute, Nana.
In silence words betray us, and we betray words. Talking life, silent death.
In Act 12, Godard said "not a new beginning, but an end". We saw a large movie poster "Zu and Zhan", which is also a movie about life and finally love to despair and death. Of course, this is the tacit agreement between Truffaut and Godard.
Nana collapsed at the door of the staff cafeteria.
The beginning of this scene is the story of a painter and his wife. The painter is addicted to his own painting, the wife in the painting is so perfect, and when the painting is completed, when Moran turns to look at the real wife around him, he finds that she is dead.
The music in this film is exceptional and the rhythm is logical. The goddess of Goda at the time, Anna Karina, performed wonderfully. The actors have been avoiding the camera, but there are also some playful peeks at the camera.
I like this film because it includes many stories, Joan of Arc, the three musketeers, painters... Everything is in its true colors, and Nana, who can't escape her fate, responds to the misfortunes her life has given her, and she responds to the casual nature of life. And beauty, like Gorda's detachment, is unforgettable.
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