In "What White People Like" once said that white people like to be ironic - if you accidentally confess in public what movie you like, and you are greeted with contempt, just continue to say loudly, "But I also like ... (the name of another bad movie)" can resolve the embarrassing situation.
So watching a movie with other people is a burden - I'd rather watch it alone. This is especially true for the live-action version of this Arnold classic, where you're wasting your money if you don't watch it alone. There's got to be some fucking idiot who's going to walk out of the movie theater behind you and say, what a fucking shit.
Predator being translated as "predator" for many years would not have done much ill effect on the theme of the film, but not this one.
It should be translated as: "Most Dangerous Animal" or "Predator"
because the mystery of predators (the so-called Predators) in the early years of Arnold's films has long since disappeared after countless sequels. Audiences are fascinated to watch a new predator joined by Oscar winner, adrien brody, secretly hoping that this sequel will not be too stupid.
It can be said that this new idea has added a lot of vitality to this old thing. Alien predators are no longer the only threat and antagonist in the entire story, which is indeed a conceptual breakthrough.
It is a pity that many excellent stars did not shine. As with Armored, the young director depicts characters as faces, and occasionally makes inexplicable contrived actions. Because the director and screenwriter can only grasp the story of the small bridge, too concerned about what needs to happen, without thinking about why these characters do it, the characters in the whole film suffer the fate of becoming a puppet of the plot - not making people impressive Profound character.
But even so, it's a story worth keeping in the sequel to the many Predators -- after all, he's a solid step forward from Arnold's classic film.
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