There is a montage about Claudia with two lines: one is Clau playing the piano in the mansion, but the piano teacher is scolded by the piano teacher, and his thumb is not strong enough; the other is Clau looking innocently into the doll shop, and the master who makes expensive handmade dolls said: "It's too expensive for you." In a blink of an eye, Claudia smiled triumphantly, as if she was the baby in her arms; Claudia played an agitated movement, tapping heavily with her thumbs, with a little childish emotion, but the teacher next to her slammed as the last note. Falling on the keys-with a strong sense of black humor.
I really like the treatment here, no more, no less, just right.
In the interview with vampire whole drama, the emotions are not very smooth, compared to the unfounded "love" or vague "family relationship" between Louis and Claudia, the abrupt "comradeship" (comradeship) between Lestat and Louis; only Claudia found it The "maternal love" of this companion, which is dedicated to the death of this life and the eternal existence of the next life, is clear and moving.
Claudia's resistance is a desire for growth, but she is a special case, "she is too young to be created as a vampire", the film does not answer if she is a young girl, whether she will be willing to do endless nights in order to stay young Vampire? ——So "Interview with the Vampire" seemed quite deep, but it stopped abruptly after digging a surface. The tragedies of Louis and Claudia are both individual, there is no way to be a microcosm of an era. How do you understand the fall from Grace defined by Louis?
The ending is very rock and roll, slightly bizarre, and very happy, but the vampires created in the whole film are still very consistent with the heads of us ordinary people-think about Edward Cullen in Fox Town, Washington State, where it rains 360 days, this ghost His self-control is extraordinary!
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