I miss that sunshine boy

In the movie, when keanu swayed on the surfboard and showed all kinds of exciting and unrestrained expressions to the camera, the clip from the interview kept flashing in his mind. He rolled his eyes and said intermittently with difficulty: I don't like it. That kind of plot, yachts, beaches...and the script is not good. This is his answer when the host asked him why he refused to shoot the sequel of "Speed ​​of Life and Death". I remember Yuan Heping said with a smile that Keanu's movements are not good, and his limbs are very stiff. So when I saw a lot of surfing shots in front of the screen that required high body balance, I thought very unkindly that his rejection of the sequel to "Speed ​​of Life and Death" must be because of the shadow left by this film, which was tossed thoroughly. It's hard to say because I'm afraid of marine action movies.

Seeing the small number of scorers here, I was very moved that I was able to dig out an unpopular 91-year-old film, with very little fast-forwarding without any additional motivation other than chasing a handsome face. From the end of the subtitles, it has made an important contribution to the number of viewers of this film. After visiting the film, the audience's comments on the film are summarized as follows: 1. It is for keanu. 2. Even though the film is bad, I am satisfied to see keanu. 3. Keanu was so handsome back then!

Look, how many words are inseparable from his face.

From an early rebellious teenager to a prudent and affectionate middle-aged, with a poker face ridiculed by various film critics, playing all kinds of male protagonists who do not know the truth, there is no shortage of characters with different personalities, but the performance is still Keanu Reeves - a single image. In last year's "Pipa Lee's Private Life", the heroine said to Chris in surprise: I see, you can't lie. The expression on his face that had been dodging for more than twenty years suddenly appeared very calm and thorough. It should really not lie - how to ask him to be an actor with ease.

The shape of keanu in the speed of life and death feels very abrupt, and I can't pick out any handsomeness, but it makes this film very different from his other works. He is no longer an elegant and god-like man. Pulled away, the high-spirited and occasionally deliberately absent-minded, flat-headed young man never came back.

"The Matrix", "Devil's Advocate", "Hell Detective", these films are not just related to religion, the philosophy triggered by God and religion has a lot of in-depth discussions in the film, and the theories that run through are strange and strange. There are traces of attempts to subvert ethics, and the final hasty ending also easily avoids the audience's interest in further investigation. He seems to be overly partial to this type of script, maybe - he's low-key just because he's a bigot or a religious freak

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