Is a five-hour film considered long?
In fact, it does not count, because many people can watch more than 14 hours of The Lord of the Rings Platinum Extended Edition, or watch the six-part series of "Star Wars" in the dark.
However, if there is no war, no life and death, no ups and downs in the traditional sense, cutting wheat, milking cows, and slaughtering pigs for more than five hours, can you still watch it?
Can you still watch it and say with admiration, this is what the epic
Bertolucci did. He skipped the fire of World War I and World War II, but still showed a twentieth century, not just the twentieth century in Italy.
I haven't seen "Last Tango in Paris", I haven't seen "The Last Emperor", I know Bertolucci from "Dream of Paris", three young people, in a small isolated house While playing the game, you will almost forget that the mighty May storm is going on outside, or that the sport is just a game and a dream. Ending, no, life goes on without an ending.
In 197×, when the Cultural Revolution in China was about to end, Bertolucci was in Italy, and he invited De Niro from the United States and Patillo from France. At that time, he was not a godfather, nor was he a big-nosed lover, they were two. In 1900, children born on the same day. The difference is that his grandfather is a farmer and his grandfather is a tenant farmer.
When they were born, the farmer grandpa invited the tenant farmer to drink and said, look, what a coincidence, they were born on the same day. The tenant grandpa said, yes, I don't know if they will die on the same day.
As a result, the bourgeoisie and the proletariat grew up fighting together in catching frogs and raising silkworms. They would fight each other when they met, but they said, you are my best friend.
Please don't think this is a cliché story about a great friendship (great JQ) that is a class harmony theory.
The bourgeoisie can rebel against his mercenary father, he can learn from his grandfather to be gentle, he can learn from his uncle to be unrestrained, he can hate those powerful farmers and brutal fascist black shirts, but he is still a brocade The farmer of Jade Food, he is very weak, and there is no need for him to fight.
The proletariat can walk shoulder to shoulder with the bourgeoisie and play with girls, but he can only walk hand in hand with the proletariat to the streets, organize communes, marches, and fight against fascism. It was the doomed part of his life that his bourgeois brethren were doomed to miss. In his heart, he hated the farmers who exploited the fruits of his labor and paid to support the fascist movement. He didn't hate him, but he was a farmer after all.
When the proletariat was beaten by the fascists, the bourgeoisie stood silently on the sidelines, not daring to go up and defend the brothers.
At the end of World War II, he was still the weak farmer, and he, a Communist, a guerrilla fighting hero.
The scene of the fight was so familiar, maybe at the moment of shooting, the same scene was happening in the far east.
Facing the tenant farmers of his past who pointed his nose and listed his crimes, he said indifferently, I didn't hurt anyone.
His brother came up and said, you're a farmer and it's your fault!
He said, I'm so tired, can I sit down. So he found a chair and sat down.
The bourgeoisie said we caught frogs together when we were kids.
The proletariat says, no, it's always I catch the frog and you eat the frog.
So we seem to hear the sound of sharpening knives, and in that far east, the snapping gunshots, the bourgeoisie, are just pulled out.
The proletariat said, so we are going to sentence you to death. You, the master, are dead, dead.
(So, what survived is only you as a human being, not as a farmer.)
So the proletariat triumphantly won, and he led all the proletariat to surrender their guns to the provisional government. The barbed wire fencing the tenant farmers was pulled down, and they pulled huge red flags and cheered for their freedom.
No longer a farmer, he smiled at the proletarian and said, Look, the owner is not dead.
(You, you already have a new owner)
(Chairman Mao jumped out and said, how can you surrender your gun, how can you surrender your gun, political power comes from the barrel of a gun, class weakness!!!) The
story is not over, middle-aged The old proletariat and the middle-aged bourgeoisie were fighting in that yard again, pulling and pulling like urchins.
So, as time goes by, the old proletariat and the old bourgeoisie are still fighting in the fields, waving crutches and pulling each other staggeringly, like urchins.
When they were children, they all used to lie in the middle of the railroad tracks and let the train rumble past them. The proletariat told the bourgeoisie to cover their eyes with their hands, otherwise, the flashing light of the train will blind you... ...The
scenery of this film is like an oil painting, the life scenes are real, the rhythm is appropriate, the soundtrack is beautiful and moving, the plot is extremely trivial, there is basically no climax, the male protagonist is beautiful, and the female protagonist is all cannon fodder. It reflects Bertolucci's consistent style and consistent level.
A rotten woman who has been aggrieved for a long time jumped out to make a concluding speech: The 20th century is actually a trivial history of the proletariat and the bourgeoisie pulling and pulling together and ambiguous! ! ! ! ! !
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