Split shots hehe crazy things

Pull the film Scent of a Woman
Synopsis
Charlie few powerful friends teased Bode school leaders, and other leaders forced Charlie George insiders state the specific names, and promised to materialistic. Charlie was caught in a dilemma when the object of his care, a retired blind old soldier, forced him to follow him to New York, and at this time the blind soldier had planned to kill himself after seeing his elder brother. In New York, the two went through a lot, and finally Charlie dismissed the idea of ​​​​the lieutenant colonel suicide, and then the lieutenant colonel defended Charlie at the Broad School hearing was brilliant, so that Charlie stayed at the Broad School, and he himself He also reconciled with his family and met a beautiful woman.

Outline Structure

Opening: soothing music with a somewhat leisurely touch of sadness and joy context of the entire film
won the Academy can find the tone and atmosphere of the entire film situational, situational, charm. Several shots.
Lens 1
Vision
composition uniform color of fresh flowers is wonderful tone for the stay green longer to speed up the music
scene 2
viewfinder depth gradually move right on top shots turn into quite a bit of the feeling of discovery
lens 3
side-view
lens 4
Vision front
lens 5
side King vision
345 lenses faster switching speed up the feeling with music 5 freeze time long

shot 6
deep breath of life bike side view
lens 7
school badge appears
lens 8
school age, appeared
678 began to introduce about the status of school
shot 9
school interiors appear symmetrical
lens 10
Stairs side note appeared on behalf of the play began ringing

the entire lens viewfinder leisurely moderate steady rhythm fresh


start and bring:
Start: Charlie decided to give himself to find a holiday care. The school superintendent was assigned a car, and Harry and the other powerful children laughed at the school superintendent.

1 shot
to take out student vision
lens 2
on the stairs crowded

lens 12 accompanied by music quickly into the school climate

lens 3
from the classroom out of the students smile shot protagonist appears in profile gradual transition to the protagonist illustrative poverty action hero protagonist clean image
lens 4
Thanksgiving flyers take care of their loved ones to go to work to deepen the impression of the protagonist of the event began
lens 5
protagonist finds to do this rhythm steady
shot 6
switch from the crowd to the rich and powerful set of 4 people unrestrained George stressed that he was smoking
a few people are proud face see a line that leads to the following things
trigger point

shot 7
car appeared in front of the lens middle ground sound interspersed with
shot 8
taunt the children of the rich and powerful vision
lens 9
side of the car turned interspersed with the rich and powerful sound of
the lens 10
to the close-up in order to emphasize once again George His leadership
shot 11 The
long shot of the principal stroking the car he likes the car
shot 12 The
distant view of a few powerful people on the side sneered that the car was worthless
shot 13
An objective lens viewfinder close to describing the president say hello to each other from one row behind George

lens 14
Hai Fumei got up to chase president
George again by action to show his arrogance shake

this footage not only explain things through constant conversion also dilutes the narrative voice of boredom through

the lens 15
Describing two people walking fast and flying, from far to near,
16
medium shots, long shots, starting from the entry of two people, the shots gradually approached the objective shots, and finally settled on the principal.
Shot 17. The
medium shot of Hefmei is a close-up
shot. 18 The
objective shot is the observer's angle Hefmei leaves the principal jokingly
shot 19
Objective side Hefmei takes something George and his party appear
shot 20
Subjective observes Hefmei's expression from George's point of view and introduces them to skiing
shot 21
Objective shot Several people discuss to play
shot 22
Objective cut to the protagonist's lonely protagonist contrasting sound effect
lens 23
and objective lens group of people still talk
lens 24
arrogant position of the objective lens Hai Fumei
lens 25
and objective performance curls frustration
lens 26
and objective cut back to three thousand first wife lead vocal The protagonist's decline
scene 27
Objectively cut back to the foursome, it is difficult to find the father
scene 28
The objective shot The long shot has been followed by a few people and turns Hef May sincerely shows off the difference in the external action The character Hef May teases the curly George's arrogance
Charlie leaves Hef May's arrogant sincerity run on George is better The

whole beginning is objective Most of the shots are in a calm tone, full of campus atmosphere, the composition is leisurely and peaceful, and the characters are expressed mostly with some tricks and movements, smoking a cigarette, putting a pencil on his head, and looking in the mirror narcissistically





.
Charlie and George saw that Hafme and the others were going to tease the headmaster, and Mrs. Sack was there.
Lens 1
objective lens protagonist gradually come close to cycling last change of light and shadow shadow of the head of a very Skip beauty
lens 2
and objective lens side of the protagonist to stop
the lens 3
and objective lens protagonist upstairs sideways Center - migraine on the right - center
lens 4
and objective lens Ross Mrs. appears
lens 5
and objective lens Charlie nodded questions
lens 6
and objective lens Mrs. Ross answer
lens 7
and objective lens Charlie raised his identity
lenses 8
and objective lens Mrs. Ross glad to
4-8 shot transition to narrative rhythm

shot 9
objective lens two Personal perspective, character walking, Mrs. Ross is very happy that the
character relationship is initially reflected in the voice of a child, and the voice is unique.
Shot 10.
Objective shot: Charlie's point of view. The child's perspective
shot. 11.
Objective shot. Mrs. Ross stopped
Shot 12
Objective shot Two children's super cute scene
shot 13
Objective shot Two people introduce each other
Shot 14
Objective shot Slowly walk out of the room
Shot 15
Objective shot Long shot The relationship between characters is reflected in the position of the
camera. 16. The
objective shot is to ask Charlie where Mrs. Ross is going. The
shot. 17. The
objective shot. Mrs. Ross answers
.
Shot 18
Objective shot to Charlie Charlie approached with Mrs Ross's answer
Shot 19
Objective shot Long view Mrs Ross took the cat to question Charlie gradually approaching the sound foreshadowing the lieutenant colonel's temper
Shot 20
Objective shot Close-up Charlie was frightened and the voice was still on the
shot 21
Objective close-up Mrs. Ross holding the cat in her hand and moving her eyes
22
Objective close-up Charlie is a little nervous and voice is still around
Shot 23
Objective medium Mrs. Ross comforts Charlie and feels helpless
Shot 24
Objective close-up Charlie is still a little uneasy
Shot 25
Objective Mrs. Ross encourages him to pat on the shoulder
Shot 26
Objective Shot Medium Shot Charlie old looks at Mrs. Ross and expresses her unease followed by a series of overwhelmed conversations that reveal the lieutenant colonel's poor access to
Shots 27
An objective lens vision windows sun smoke sitting illustrative moves more gloomy action directly comparable Charlie just gave himself
lens 28
and objective lens uneasy middle ground hand on the table all the more disturbing
lens 29
and objective lens medium shot of the sun sitting on hand slightly Bounce
shot 30
Objective shot Medium shot Charlie was surprised and said the officer
shot 31
Objective shot Medium shot The lieutenant colonel was helpless with a cigarette
shot 32
Objective shot Medium shot Charlie's defense
shot 33
Objective shot Medium shot The shaking legs and feet
shot 34
Objective shot Medium shot Charlie's weak voice is very small
shot 35
objective shot medium shot Colonel is always in a strong position voice body action Charlie's message revealed
shot 36
objective shot medium shot Charlie answers
shot 37
objective shot medium shot colonel attacking with words
shot 38
objective shot medium shot Charlie's voice continues overwhelmed
lens 39
and objective lens medium shot Colonel rude and arrogant attention Charlie's hand and body shaking Although there is no head
lens 40
and objective lens Charlie angry larger limbs and downs
41 shots
objective lens colonel continued provocative
lens 42
objective Shot Charlie helpless weak counterattack
shot 43
Colonel objective lens side lights smoking, drinking, macho full
satire Charlie describes his actions glorious achievements of groping hand he is blind to show off their Xieyi charm laughter face side
lens 44
and objective lens medium shot Charlie Question G-2 intelligence colonel in the past the results appeared in
the lens 45
and objective lens medium shot Colonel Charlie continue to pay attention to the irony of hand shaking rhythm of language and
the lens 46
and objective lens medium shot, without a word, Charlie
lens 47
and objective lens medium shot Colonel asked Charlie to continue to address the protagonist information revealed voice high-pitched excitement licking smoking mouth
lens 48
and objective lens Charlie answered
lens 49
and objective lens colonel asked Charlie's family circumstances hand movements
lens 50
and objective lens Charlie's family situation and stepfather Charlie replied with a head shake eye
lens 51
and objective lens Colonel classic rock tone almost ah body
Shot 52
Objective shot of Colonel questioning voice Charlie answered
Shot 52
Objective shot of Colonel smoking and continued to ask about the situation of the convenience store
Shot 53
Objective shot of Charlie answering closing time showing poor family situation
Shot 54
Objective shot of Colonel sarcastic body forward Offensive
shot 55
Objective shot of Charlie eyes rotation
lens 56
and objective lens question Colonel
Shot 57
Objective shot Charlie was overwhelmed and said that he read Bode body movements and pointed in the other direction
Shot 58
Objective shot The colonel asked him how he could remember Bode actors using hand and foot movements with language to achieve the effect of characters
shot 59
Charlie objective lens, embarrassed and some wanted to prove myself that the tension of the United States pay attention to the light hand of
the lens 60
and objective lens close-colonel almost classical language = wow singing
lens 61
and objective lens Charlie tensions
lens 62
and objective lens colonel asked Who's
Shot 63
Objective Shot Medium Fanxin's Dubbing The Colonel's Dub
Shot 64
Objective Shot Charlie's Expression
Shot 65
Objective Shot Medium Shot Fanxin's Weird Appearance
Shot 66
Objective Shot The Colonel Throwing Things Quick Shot
Shot 67
Objective Shot Fanxin Runaway The relationship between the Colonel and his family the performance of
the lens 68
and objective lens Charlie licking tongue shake
lens 69
and objective lens Colonel angry sad decline of
the lens 70
and objective lens medium shot Charlie strange
lens 71
and objective lens medium shot Colonel hate worldly introduced Mrs. Ross house
lens 72
and objective lens medium shot Charlie to introduce their skin Question
73
An objective lens gradually becomes distant Colonel ridiculed Charlie
lens 74
and objective lens Charlie stunned
lens 75
and objective lens Colonel provocation, said Charlie lied to his
lens 76
and objective lens Charlie stunned
lens 77
and objective lens colonel continued sarcastically
lens 78
and objective lens lens gradually pull away ridiculed the
lens 79
George objective lens helpless to fight back Mianlicangzhen
lens 80
and objective lens close-Colonel angry
lens 81
and objective lens Charlie expressions
lens 82
and objective lens Colonel stern
lens 83
and objective lens Charlie stayed
lens 84
and objective lens Colonel angry vision of the previous military career appears
lens 85
objective Zoom in close-range shot Colonel stress tantrum like
the lens 86
and objective lens Charlie did not know that was wrong
87 lens
objective lens colonel asked Charlie what you want to introduce Charlie to work reasons primer
lens 88
and objective lens Charlie does not understand
the lens 89
and objective lens close-range lighting colonel again Question
shot 90
objective shot Charlie started to say the reason
shot 91
objective shot Colonel gradually calmed down
Shot 92
Objective Charlie explains the money he needs to go home Pay attention to the director's favorite method Voiceover
Shot 93
Objective The Colonel calms down or is he unruly
Shot 94
Objective Charlie questioning and watching him slow down
Shot 95
Objective Medium shot Colonel on Turn on the speaker
96
Objective shot Medium shot Charlie doesn't know if he can take the role He wants to go out
shot 97
Objective shot The colonel continues listening to music and says he is a crying poor ghost
Shot 98
Objective shot Charlie's defensive posture
shot 99
Subjective
shot 100
Subjective Charlie Disappointment Frustrated
Shot 101
Subjective Colonel Says Disbandment
Shot 102
Subjective Charlie Disappointed Leaving
Shot 103
Objective Colonel Continues Listening to Music Lights Gloomy
Shot 104
Objective Rose Bathing the Child Charlie's Voice
Shot 105
Objective Vision Charlie Going Upstairs
Shot 106
Objective Another Character Husband Appears
Shot 107
Objective Charlie Explains Interview Results
Shot 108
Objective Mrs Charlie Rejects
Shot 109
Subjective Charlie Statement Results
Shot 110
Subjective Mrs Ross Comforting
Shot 111
Objective Charlie Disappointed
Shot 112
Subjective Mrs Ross Begging for Him
Shot 113
Subjective Charlie Don't Want to Stay
Shot 114
Subjective Shot Rose Telling the Colonel's Past Experience
Shot 115
Objective Shot Charlie Laughing Helplessly
116
Subjective Shot Mrs Ross continue to lobby
the lens 117
and objective lens Charlie reluctantly
lens 118
and objective lens Rose Qiuken about the causes of
the lens 119
and objective lens closer to Mrs. Rose continued emphasis on the situation of his own uncle shines into her husband.
Shot 120
Objective Shot Charlie Hesitant
Shot 121
Objective Shot Mrs Ross Requests Again
Shot 122
Objective Shot Charlie Reluctantly Answers
Shot 123
Mrs Ross and Husband Are Happy

Shot 124
Objective Vision The Night Bode Symbolizes the Situation to Come Transition Shot New Event Begins

Shot 125
Objective lens charlie another identity librarian george came to borrow books
lens 126
objective george borrowed illegal books
lens 127
objective lens george explained reasons for not following the rules
lens 128
objective george not allowed
Shot 129
guest George continued to ask for the rebellious and arrogant
shot 130
guest Charlie reluctantly agreed to
shot 131
guest George got the book
Shot 132
guest started from the tool to describe how many people did Hefmei climb the ladder? Note the way from the start of the hand
lens 133
top two people leaning off under the
lens 134
passenger Charlie and George out of the vision of
the lens 135
passengers Haifu Mei things wrapped
lens 136
Curly thing wrapped around
the lens 137
passenger Charlie and George came out with vision
lens 138
panoramic passenger Hai Fumei a Huoer suspense
lens 139
guest George duo doubts
lens 140
passengers produce suspense Hai Fumei not explain
lens 141
off new factors emerge Mrs. Seck line
lens 142
passengers Hai Fumei a Huoer escape
lens 143
George off for them to hide
the lens 144
passengers Hai Fumei Remove the ladder
lens 145
passengers Hang Mrs. Seck doubts
lens 146
passengers were completely run away Haifu Mei vision
lenses 147
off two people for them to hide away down the Hang Seck
Shot 148 The
guests ran away
Shot 149 The
bus appeared as a crowd of shuttles reflected the feeling
Shot 150
The location where the long-range car stopped
Shot 151 The
principal got off the car and the sound sounded
Shot 152 The
principal was behind the scene and reflected the expressions of the classmates
Shot 153
Guest vision onlookers crowd reaction
shot 154
off George's face
shot 155
guest Charlie students face expression
shot 156
guest principal face
lens 157
guest performance of students in the position of
the lens 158
passengers Haifu Mei trio nonsense
159
polite ball opening
160
passengers Looking down on the condescending
161
guest The principal is going crazy
162 The
three people are still making a fool of themselves
163 The
balloon is getting bigger and bigger
164
The student makes the principal turn back
165 The
principal turns back Medium shot
166 The principal looks
up
167
The picture on the balloon appears in the laughter Dub
168
The expressions of the guest students The principal turned to the vision
169 The
principal was about to pierce him
170 The
back of the guest jumped up
171 The
expressions of the guest students and the principal were compared
172 The
smirk of the three of Heifmei was suspenseful again
173 The
principal was as he was. willing to jump the attention of the rejection of key actions
174
action did not tie off the top principals to
175
passengers Haifu Mei trio grin
176
guest principal focus on facial expressions to tie
177
passengers president to tie the action specific action
178
passengers to the vision
179 The
headmaster got wet and his students applauded
180
The comparison between the headmaster and the students behind
181 The
three students were excited
182 The
comparison was still going on The students were very happy
183 The
shot of Charlie added to the atmosphere and licked The rhythm of the clip of the tongue movement
184
guest George scolding the
185
guest Principal slams the car door in
suspense, causing two clues
: the Principal forces Harry to reveal his real name, and promises heavy profits.
1
Charlie tension off
2
off George disdain
3
off two students by the principal to
4
passengers principal threat to
5
passengers pay attention to two people sitting quite indifferent George
6
guest principal asked who
7
guest George conceal
8
guest principal asked Simon
9
passengers, said Charlie hide but it is can not be said
10
passengers president pull something false big empty
11
guest George provocation that car you say his vanity
12
guest principal excuse
13
off George ironic laugh
14
guest Simon was questioning
15
guest principal or pulling
16
passenger Simon answer maintain the honor of Bo DS
17
passengers president pressed
18
off Simon lying
19
off George's face
20
guest principal fell
21
passengers president got attention to the different behavior of the two principals to leave the lens
22
passengers sitting president to speak things blow up
23
passenger shot to the Simon notices his expression
24
Ke Principal's ruthless expression
25
Ke Principal George disdain
26
Ke Principal again threatens
27 Ke Principal
gave Simon an ultimatum
28
Ke Principal gave ultimatum
29
Ke 2 reacted
30
Ke Principal let George go
31
Ke 2 reacted differently George I do not care about
32
passengers principal anger born
33
off George left
34
passengers shot to Simon hand movements on the chair
35
passengers president has hidden
36
off Simon's unease
37
off two opposing
38
passengers president began lobbying
39
off Simon answering blink
40
passengers Harvard president mentioned contradiction is promoting
41
off Simon's struggle
42
guest principal appetizing
43
off Simon shook his head a psychological feeling
44
guest principal step by step
45
guest Simon intense psychological conflict
46
Principal shoo off
47
off Simon still reluctant to sell after a struggle of conscience
48
guest principal threat to
49
passengers departed president Simon painful
attention attention to setting the fire and deal with the relationship between the characters of the Bible satire on the table clash clash handling of Bixi Meng and principals and principals George very good



50
off George asked his vision
to go out to walk fast performance of Simon's heart has replaced the slow weakening of artistic effect
51
off medium shot of irony this time George still has a sense of superiority and the last of his education was still Charlie Keeping the bottom line of morality,
George said that the publicity of Bode's habit has
nothing to do with Charlie's action scholarship and character. The
scene then pulled back to a

climax: Lieutenant Colonel and Harry went to New York together.
Scene at Rose's house
1
guest Rose asks
2
guest Husband to show up before the trip Charlie is also busy
3
guest
4
guest Charlie's hesitation
5
guest Rose is busy
6
guest Ximen is lonely
7
guest child is still very troublesome
8
guest Charlie has something on his mind
9
guests Rose asked
10
guests Charlie psychological activities
11
passenger numbers to give Rose

lens combination directors make good use of voice-over interludes of Simon's face is actually a manifestation of his absent-minded reluctantly
scene colonel room
1
guest Charlie entered the room long shot to two relatively little tricks Charlie
2
guest Charlie
3
under the passenger Colonel fame
4
guest Charlie look around
5
off under the command of Colonel continued
6
passenger Charlie reluctantly
7
guest colonel urged
8
passengers take things Charlie
9
guest colonel called
10
guest Charlie do not know what a pitiful look back
11
passengers continue to call Colonel
12
Charlie took off the clothes a little worried
13
guest colonel called
14
passengers waiting for Charlie

performance handling interpersonal Charlie was suppressed he will always be under the command of Colonel Colonel comply with sound next to him at a loss to get some more clothes to show his absent-minded
15
under the passenger Colonel Ordering
16-
off Charlie to ask the incident begins
17-
off Colonel side view
18-
off Charlie is not happy
19
off the last of Colonel Charlie Charlie scolded unhappy handle very well
the director shot the two works slowly stir together with each other in profile show emotional drama
20
guest Charlie put down the clothes
21
off sideways Colonel
22
passengers look outside Charlie
23
guest Mrs. Ross
24
off Charlie
25 The
Colonel is angry
26 The Colonel is angry 26 The Colonel is
going out
27 The
Rose is in
28 The
Charlie Simon
29
The love of the Rose
30 The
Colonel loves his niece
31 The
Colonel touches her face
32 The Colonel touches her
face and leaves the three of them The camera Charlie came
33
Guest Rose asked to connect up and down the camera
34
Guest Charlie took the phone number and felt uneasy
35
Guest two left
36
Guest Rose once again blessed the porn line for the following
37
Guest The expression of the kid
38
Guest Rose family thoroughly What does the white door symbolize when Charlie closes the door after leaving
39
?
40
passengers buckle luggage Colonel Charlie to come next move paved the way for
41
passenger Colonel angry relationship between two people still in the lower
42
passengers were scolded Charlie
43
guest colonel stressed that his position
44
guest Charlie very depressed
45
under the command of Colonel passenger
46
They contrast the action off
47
off Charlie worried to find out
48
off a long shot to say the colonel began to go where events
take place after the two men came parallel to Colonel Charlie surprised and forced to turn around and go away after
49
passengers appear Mimi
50
Colonel cat off to
51
passengers colonel asked if the cat character more than ever
attention Charlie behind him face

52
passengers get off two long shot from the beginning to tip Colonel Charlie and stressed that relations black eyes also play again

this point the whole film The beginning and the end of the
director's technique. The long shot is used when the emotional contrast is not too strong. The suspense shot handles the whole atmosphere. Before each action, there will be an action to pave the way for the
character confrontation. The strong shot will be relatively fast
. consider contrast contrasting
treatment pitiful figure when we must use the voice-over Oh





development:

the beginning:
The lieutenant colonel smelled the fragrance and met women on the plane.
The lieutenant colonel explained his purpose in the restaurant, looking at his elder brother, looking for a woman, and committing suicide.
Aircraft on scene

1
flight attendants sent drinks to lieutenant colonel called out her name
2
flight attendants and Daphne
3
Charlie surprised
4
Colonel cool drink
5
Charlie Question
6
Colonel explain why both the performance on camera relationships between the characters
Charlie go
7
Charlie let him The name is
8
Lieutenant Colonel is a little sorry
9
Charlie asks the suspense start
10
Colonel avoids
11
Charlie is helpless
12
Lieutenant Colonel finds a flight attendant
13
Charlie answers
14
Lieutenant Colonel starts to argue the movie theme starts
15
Charlie doubts
16
Lieutenant Colonel sensational starts
17
Charlie is curious
18
Colonel pushes emotions
19
Charlie is a little embarrassed
20 The
colonel talks about the upcoming point
21
Charlie imagines it secretly
22
Colonel provoke questions
23
Charlie's face
24
Lt. Col. say the focus of
25
Charlie thoroughly embarrassed
26
lieutenant colonel jokes
27
Charlie questioning
28
Lieutenant Colonel answered facial expressions
29
Charlie smile
30
said Lt. sports car fresh smell another problem spots appear
31
Charlie smiles
32
Lieutenant Colonel gentle hand to Charlie
33
Charlie hand shot to his attention to a small portion of the hand of Lieutenant Colonel
34
Lieutenant Colonel Charlie accepted the relationship began to change
35
Charlie surprised some mild

lens is in the performance of the relationship between two people fight when everyone gave a close-range, especially some of the thinking
and confrontation in the environment is more than a show with actions such as the last vision of the external limb pains Charlie and against environmental performance recognition and lieutenant colonel and Bode's relationship

scene
in New York Walton Hotel
1
Night scene from top to bottom to a new place to be explained
2
Two people get off the bus
3
Panoramic music brings the atmosphere into the place
4
Long shots Two people enter the elevator Pay attention to the last collision of the lieutenant colonel
5
Lieutenant Colonel asked the attendant to help themselves find a woman he turned to the camera with
6
Lieutenant Colonel far to find a phone of their relationship reflects the objective lens
7
lieutenant colonel phoned wine
8
Charlie answered
9
lieutenant colonel who swore to find
10
Charlie fell into the unknown measures as in the home of Lieutenant Colonel
11
Lieutenant Colonel Lieutenant Colonel began to seat a new event background also reflects the
12
lieutenant colonel and command the next
13
Charlie crude oh I do not know the
14
lieutenant colonel jokes
15
Charlie heard some doubts 8:00
16
Lieutenant Colonel questioning
17
Charlie refuses to drink
18
Lieutenant Colonel drinks boldly
19
Charlie is in a hurry to go
20
Lieutenant Colonel asks a question
21
Charlie answers
22 The
objective lens will always leave a half scene for another person
Lieutenant Colonel let him finish dinner
23
Charlie is relieved
24 A
short paragraph ends the Colonel leaving

scene Street Taxi
1
Brings the atmosphere to the traffic flow and music
2 The
taxi driver speaks his name
3
Lieutenant Colonel question to a woman
4
side faces the driver did not know
5
Lt. Col. Question
6
driver replied attention light
7
lieutenant colonel in the head with a flashing question darkness
8
drivers guarantee arrangements
9
Charlie's face nuclear reaction surprised it curious
10
lieutenant colonel happy
11
Charlie was anxious
12
Lieutenant Colonel found something was wrong
13
Lieutenant Colonel knew what happened to Charlie and responded to the relationship between the two
14
Lieutenant Colonel guessed
15
Charlie was surprised
16
Lieutenant Colonel knew the details and noticed the expression of Lieutenant Colonel licking his lips
17
Lieutenant Colonel analyzed
18
Charlie should be with
19
Lieutenant Colonel guesses
20
Charlie explains his relationship with George
21
Lieutenant Colonel answers again
22 Lieutenant Colonel
answers
23
Lieutenant Colonel further analyzes
24 Lieutenant Colonel
does not understand the scholarship question
25
Lieutenant Colonel explains Charlie's desire point
26
Charlie negative values in proofreading his assessment
note is the sound side of the side face
27
Lt. noncommittal
28
Charlie calm
29
drivers when it comes to the
30
lieutenant colonel stressed that the incident location to start

Place Hotel
1
is still lagging behind clothes into the details of the identity of the panoramic camera environment
2
Lieutenant Colonel to read the menu
3
Charlie surprised expensive money
4
Lt. continue to wine
5
Charlie sigh too expensive
6
Colonel indifference upper body movement
7
into two panoramic discuss why so much money Lieutenant Colonel
8
disability gold question

whether You can also change the scene when you change the subject

9
Lieutenant Colonel said the source of the disability bonus The event started
10 Lieutenant Colonel
Charlie was curious
11
Lieutenant Colonel said that Charlie was going to lie to Charlie
12
Charlie looked at the time and was confused
13
Lieutenant Colonel continued to joke that he lied to Charlie
14
Charlie said the start
at ten o'clock 15 The
middle school pretended to be stupid
16
Continue to question
17
lieutenant colonel lied to him uncover result
18
Charlie angry
19
lieutenant colonel still drinking
20
Charlie glowered
21
topics conversion
Colonel said he plans
Charlie question suspense came
22
lieutenant colonel say a
23
Charlie doubt in the eyes
24
lieutenant colonel introduced his plan
25
Charlie questions at him
26
lieutenant colonel paused
27
Charlie doubt

suspense Act
28
lieutenant colonel said that he would commit suicide Key events
29
Charlie was an incredible
30
attendants to change the rhythm of
31
Lieutenant Colonel answer
32
Charlie the beginning, some panic
33 The
waiter introduced
34
Panorama of the body movements of the three people
35
Charlie's uneasy expression
36 The
lieutenant colonel asked for a soufflé
37 The
waiter left
38
Charlie has questions
39
Lt. Col. very calm
40
Charlie Question
41
Lieutenant Colonel avoid
42
Charlie gave him bread

sincerity out audience appetite
43
Lieutenant Colonel talk about bread
44
Charlie have to ask
45
Colonel smell bread
contrast
46
Charlie questioning
47
lieutenant colonel confirmed to commit suicide
48
Charlie refused
49
Lieutenant Colonel said that he likes to eat carrots
50
Charlie was confused and worried
51
Lieutenant Colonel called someone
52 The
topic changed the scene and changed the
panorama Lieutenant Colonel asked for wine
53
Charlie asked for water, which hurt the Lieutenant Colonel's self-esteem
54
Lieutenant Colonel was a little angry
55
Charlie was a little scared
56 The
woman was seated The lieutenant colonel looks a little lonely
57
Charlie is not very calm

scene inside the room
1 The
long shot shows the lieutenant colonel turning around
2
Charlie was ordered again
3 The
lieutenant colonel gave the order again
4
Charlie salutes rebelliously
5
Lieutenant Colonel is angry
6
Charlie denies that the
profile is very oppressive
7
Lieutenant Colonel demonstrates
8
again shows Charlie's feeling of being oppressed Profile shot
9
Lieutenant Colonel scolds him
10 The
sense of oppression comes again from the camera Charlie
11
Lieutenant Colonel neurotic
12
Charlie afraid
13
Lieutenant Colonel little lonely
14
Lieutenant Colonel is leaving to follow his lens
15
Charlie relaxed somewhat unconvinced
16
Lieutenant Colonel closed
17
Charlie up
18
panoramic three people were inside a seamstress
19
Zhongjing Charlie has not woken up
20
Zhongjing Lieutenant Colonel says hello
21 Zhongjing Lieutenant Colonel
responds
22
Zhongjing Lieutenant Colonel wants to measure Charlie's clothes
23
Zhongjing Charlie refuses
24
Zhongjing Lieutenant Colonel gives an order again
25
Zhongjing Lieutenant Colonel is ordered to pack up again
26
Lieutenant Colonel Panorama is chanting poetry
27
medium shot Charlie greeting
28
medium shot introduce tailor
29
in Charlie to leave
30
in Colonel questioning
31
in Charlie going to call
32
nearly beat him to lieutenant colonel in the house
33
in Charlie refused to want to go out
34
near him to lieutenant colonel in the room
35
in the real reason set forth Charlie
36
near Colonel loudspeaker
37
near Charles helpless
38
near and at the command of Colonel
39
near Charlie comply with
40
medium-to-phone panorama Charles
41
near Colonel quipped Sofia
42
in Charlie before turning attention to the eyes of
43
of the lieutenant colonel dressed
44
in Charlie's eyes attention obviously is to have an opinion on lieutenant colonel ah
connected to the phone
45
near Charlie was worried there was also pleased
close-emoting
46
in Charlie's action still some uneasiness
47
near Colonel do not have the intention of expression
48
full-Charlie got off the phone
49
in the intervention began lieutenant colonel
50
away Charlie transponder
51
in the Colonel began questioning
52
in Charlie replied secret is the secret of
53
in lieutenant colonel dismissed the episode
54
in Charlie holding the phone
55
he also began questioning the analysis begins with
56
in Charlie does not know the performance of a pure heart ah
57
in cynical lieutenant colonel
58
in Charlie believes he
59
the lieutenant colonel predict the outcome clothes pass through almost finished
60
of irony Lt. Col. Charlie
61
in Lt. Col. Charlie advised to tell the truth
62
in Charlie urges
63
from center to near the lieutenant colonel to point out the seriousness
64
near the side face Charlie does not believe
65
near the beginning of the incident the lieutenant colonel said to go to an appointment
66
near the lieutenant colonel said the two were going to New York State
67 near the lieutenant colonel
refused
68
near the lieutenant colonel's request
69
near charlie promised
70
Near Lieutenant Colonel is a foreshadowing of a surprise attack
71
Near Lieutenant Colonel is helpless
72
Near Lieutenant Colonel gives the answer for the first time in the whole film
73
Near Charlie thinks about


development:
Lieutenant Colonel went to Big Brother's house to make trouble.
Street Scene
1 Cadillac

outside the house scene
2
side of their relationship changed into a
3
-China relations is not good new character played
4
of lieutenant colonel riposte
5
in response to Randy
6
in two dialogues battle
7
in relation Randy answered very Good foreshadowing
8
Lieutenant Colonel said his sister
9
Nearly a new character appeared in Gloria
10
Near Lieutenant Colonel
11
Near Gloria was surprised and embarrassed
12
Near Lieutenant Colonel cheered up and entered the

room
13
Near Lieutenant Colonel entered
14
All High School The school introduced Charlie's greetings to people
15
The expressions of all the people inside
16 The expressions of the
near lieutenant colonel and the expressions of Gloria
17
Two people came out
18
Near Gloria and the lieutenant colonel's expressions
19
Near three people in place
20
Near lieutenant colonel's mental activity
21
Near big brother said hello
22
Near lieutenant colonel replied with a gentle expression
23
Near big brother shook hands
24
Near lieutenant colonel gave an order again
25
near Charlie shook hands shaking through the lens
26
near Colonel handshake
27
panorama Lieutenant Colonel make fun older brother's wife responded very bad family
28
near Big brother and Charlie chat
29
near lieutenant colonel and his son say hello awkward relationship
30
near Big brother Charlie and mutual understanding just introduced are no good
31
near Colonel throw crutches attention outward manifestation of character
32
whole family's reaction, especially Randy interpersonal performance
33
near Lieutenant Colonel Charlie and continue to chat
34
near Colonel angry
35
nearly two back
36
near The lieutenant colonel said that Charlie
37 is
close to Charlie's expression, big brother's expression
38
Near Lieutenant Colonel revealed past events
39
Near two people's expressions
40 Near Lieutenant Colonel
Quan and Randy began to talk
41 Near Lieutenant Colonel
told his state
42
Near Lieutenant Colonel satirized pay attention to the expressions of the following people
43
Near Randy was upset
44
Near Lieutenant Colonel continues to sneer
45
Near Randy has been unhappy
46
Lieutenant Colonel all teases Gloria
47
Near Randy is unhappy
48
Lieutenant Colonel all continues to tease

Scene Dining Room
1
Full Charlie in place Transition Shot
2
Near Big Brother Helpless
3
Near Randy and his wife look awkward
4
near Charlie had no choice
5
near Colonel still entertain
6
near sister-in-law have been sleepy
7
near Colonel still talking
8
full Colonel and others compare
9
near big nephew and sister-in-law
10
near Colonel
11
Near Charlie is very depressed
12
Near Randy is depressed
13
Near Lieutenant Colonel's questioning

technique Next to the speaker's expression
Several other close-ups insert a Lieutenant Colonel's
and change Close-up-panorama-close-up emotional changes
14
Near Randy sarcastic
15
Near eldest nephew sarcastic Laughing big brother and sister-in-law are also in the camera
16
Near Randy got angry
17
Nearly the two started to confront each other
18
Nearly Landy was sulking
19
Quan Randy started to attack
20
Nearly Randy told what happened in the past
21
Nearly big brother told his son to shut up
22
Nearly another son to console
23
near Randy sulking
24
near Gary
25
near Colonel left to go
26
near Randy continued to attack
27
near Colonel reaction
28
reactions sister-in-law of nearly
29
near Randy continued
30
near Frank responded gail
31
near randy Emphasize his wife's name
32
recent responses from frank
33
Near the big brother's expression is predictable
34 Nearly
frank starts to fight back
35
Nearly randy's reaction
36
Nearly frank and sam are both in the camera Frank's counterattack
37
Nearly randy and gail's reaction
38
Nearly frank said something useless again
39
Nearly randy was angry
40
Near eldest brother speaks
41
Near eldest nephew's reaction
42
Nearly frank fights back sam embarrassed
43
Nearly gail is angry
44
Nearly frank continues endlessly
45
Nearly eldest brother is angry
46
Nearly randy chases away his wife and his wife is in the camera
47
Nearly eldest brother's expression randy counterattacks
48
Nearly sam expression
49
near randy counterattack
50
near sam talked about the point of character relationship
51
near randy was angry
52
near sam persuaded
53
Near frank expression of his reaction accompanied by the sound of randy
54
near randy angry
55
near charles continue to persuade
56
near frank talk for charles attention frend relationship changed
57
near randy surprise
58
near frank continue to reiterate
59
near charles continue to persuade some happy Persuade 60
69
Nearly Farank warned
70
Nearly randy scolded charles
71
Nearly frank was a little sad
72
Nearly charles was worried
73
Nearly sister-in-law and eldest nephew were very worried
74 The
whole family reacted
75
Nearly randy started talking about old things
76
Nearly frankulu left a new one information revealed that began
77
near charles bit of a scare
78
near randy frank description of the background
79
near frank
80
near randy continue to attack
81
near the big brother tried to mediate
82
near charles angry
83
near randy attack
84
near frank self-deprecating
85
near randy
86
near frank drink emotional eyes lonely ah Note
87
near charles
88
near randy continue
89
near Big Brother tried to mediate
90
near randy continue
91
near sister-in-law tried to mediate the relationship between characters embody another
92
Nearly Charles is overwhelmed
93
Nearly randy continues
94
Nearly frank continues to laugh at himself
95
Nearly randy continues
96
Nearly charles feels inside
97
Nearly frank maintains his dignity
98
Nearly randy continues
99
Nearly frank is sad
100
Nearly randy continues
101
Nearly Frank emphasizes the dignity of the major and is a little sad
102
Nearly randy continues
103
Nearly charles is worried
104
near frank laughs at himself
105
near randy continues to attack
106
near frank is depressed
107
near eldest brother is sad for him
108
near randy continues
109
near frank is depressed and wants dignity
110
near charles is sad and curious
111
near randy finished telling the story
112
Nearly frank is sad
113
Nearly charles is very nervous
114
Nearly randy complains
115
Nearly frank still wants to keep his last dignity
116
Nearly randy is sarcastic
117
Nearly frank is very sad
118
Nearly charles is sad
119
Nearly frank does not give in
120
Nearly randy makes an assertion
121
The idiom near frank is a bit sad at this time
122
near randy continues to scold
123
close-up colonel is very sad
124
Nearly charles is sad
125
Nearly frank is sad
126 The
whole family reacts
127
Nearly randy is still sarcastic
128
Nearly frank laughs at himself
129
Nearly randy is calm but still attacking
130
Nearly frank is sad and lonely
131
Nearly charles is sad for him
132
Nearly Ironically charles randy
133
near the charles frank rage of us become operator
lens to action
134
the whole reaction home
135
are pushed into the frank charles guarding the wall
136
of the female reactor
137
Big brother Ququan
138
female reactor
139
near The lieutenant colonel vented his loneliness, charles came forward
140
, female reaction
141,
nearly charles persuaded
142
Charles can touch him nearly a mutual interest between his personal lonely and that his family became final comparison charles has left the angry eyes of the lens sister-in-law last
143
full-charles can touch him he did not refuse
144
near Brother's concern for frank
145
expressions of interest near Big brother a distance closeness can be seen
146
near frank apology
147
nearly indescribable feeling
148
near - full and frank charles leave the lens to stay at home person's face
149
far away then the two relations a huge change
deep feeling ah


scene Hotel
1
near Charles began to hear the voice of suspense up
2
transition lens
3
in a very dark feeling indicates what
4
in the back of the suspense continues subjective
5
of suspicious charles
6
in frank or back
7
of the charles In answer
8
, go back to the front and give the command frank
9
Near Charles, listen to the sound and feel strange and leave
10
Nearly frank question
11
near very dark charles answer what does the lighting show?
12
Closer scene suspense revealed the sound of the gun
13
Charles came in
14
Subjective shot Frank set the gun
15
Near Charles was disturbed
16
Frank continued to set the gun
17
Charles was scared
18 The
close shot set the

suspense setting method to gradually close the shot
19
Two in people play
20
near frank or in the military itself of
21
near charles suicide scenes began
22
near frank
23
near charles threat
24
near frank for granted
25
near frank group finished gun charles increasingly do not trust
26
near frank rude to eat paper
figures The relationship is full
27
Nearly charles is angry
28
Nearly frank is like a fool
29
Nearly charles left and is angry
30
Frank is still lying and sarcastic
31
Nearly charles remembered a real problem
32
Nearly frank was a little prankster and felt successful
33
Nearly charles turned over completely
34 Nearly charles
left Frank in a hurry
35
Nearly charles was called back
36
frank requested
37
Charles asked
38
Frank's request changed from a guide dog to needing guidance
39
Charles asked for a gun
40
Frank refused
41
Charles was angry
42
Frank began to criticize
43
Charles wanted bullets
44
Frank confided
45
Charles Continue to ask for bullets
46
Near Frank Gu left and right
47
Near Charles helpless
48
Frank handed the gun in 48 Pay attention to the shaking of the body and the things inside
49
Near Charles, rest assured
50
Near frank questioning their subjects
51
near charles response
52
near frank asked last bit lonely
53
near charles character embodies
54
near frank talk about conscience
55
near charles reaction
56
near frank assertion about
57
near charles do not agree with is the protagonist of expression while talking
58
Nearly frank made a second assertion that it was quiet before the outbreak
59
near charles still had resistance in his eyes
60
near frank vented the scene until he turned around
61
near charles still cared about him
62
middle frank left
63
near charles rest assured
64
near the last shot To charles throw
65
close to charles take bullet
66
close to frank and finally leave the

progressive department:
Beginning: Frank knows all the predicament of charles, point the question.
Frank dances with dona in the ballroom and charles likes dona.
Development: Jone's will begins to falter, and Frank has sex with a woman.
Progressive: On the third day, the two of them raced together.
Frank crossed the street, peeing everywhere.
Jone gave in.
Climax: Charles prevents Frank from committing suicide.
Frank knew what Charles was going to face, and the two separated.

Start:
Scene store:
1
near: Frank Shoe
2
nearly: frank shave
3
full account of the environment
4
near mantra again
5
near Charles
. 6
near: Bode lead
7
are: self-deprecating laugh Charles
8
near: frank Start induce
9
near: charles talking about their bottom line
10
near: Lieutenant Colonel continued to induce
11
near: charles annoying
12
near: Oh mama undoubtedly reflect the character
13
near: two shadow cross feelings ah
14
near: change the perspective of a frank lead to new Fable
15
Near: Charles was aroused by him to be worried
16
Near: Change the angle
17
Near: Charles is depressed

Scene
1 on the street
Medium shot - close shot: Charles took the initiative to talk about his troubles The relationship between the
two people changed their minds and confronted again

Scene
1 in the hotel
: The waiter
2
Medium: The relationship between the two
3
: The waiter suspects his identity
4
Near: Frank protects the charles
5
near: waiter
6
near Note: charles frank eyes wandering eyes while saying charles
7
near: ask the waiter
8
near: frank wine to
9
near: waiter left
10
near: charles pleased to introduce new characters come
11
near : charles looks at her
12
: a beautiful woman
13
: charles is amazing
14
:
15 in frank's words
: charles really likes
16
: frank is moved
17
: charles' eyes
18
: Frank began to guess that a
character needs some characteristics to have a play, smell the fragrance and know a woman
19
Near: Hair Color
20
near: pay attention to his eyes light
21
near: charles a bit shy
22
Near: frank action
23
in which: at the center charles frank slowly leaned over and
has been with two people behind the
24
in which: charles very nervous , to finally hid behind a frank
stride subtext son bilingual shot three people to sashay
25
in: dona refused bit overwhelmed
26
in: frank find a way
27
near: dona self-protection
28
near: frank begin Shuashuai Charles is also behind
29
: dona is a little tempted
30
: frank progresses
31
: dona is a little provocative
32
: frank continues to fight
33
: dona finally allows
34
: happy
35
: Charlie sits down
36
Near: The trick started
37
Near: dona surprised
38
Near: frank sincere smile innocent
39
near: Dona release guard
40
near: quipped
41
near: Answer beauty
42
near: Introduction
43
near: Donna know
44
near: Charles rotation of the eye
45
near: Donna Response
46
near: Charles Some coursing
47
near : donna is a little happy
48
near: frank invites
49
near: donna
50
near: two people question
51
near: another person's information
52
near: charles moved a bit
53
near: donna answers
54
near: frank's profile is very gentle charles resolves
55 :
near: very gentle smile
56
near: the light in the eyes
57
near: accepted
58
near: started to attack again
59
near: charles is thinking
60
near: donna is a little surprised
61
Near: bow demeanor ah
62
near: charle'm looking forward to
63
near: donna little nervous
64
near: eyes wide open and attractive
65
near: donna response
66
Near: the subtext of the last freeze so nice
67
near: donna Some fear
68 :
near: charles expect
69:
near: donna hesitation
70
near: frank continue to invite
71
near: donna won
72
near: frank offered to help
73
in which: the relationship between trio charles collar of action to get
74
full-: donna for her to take somewhat dissatisfied with his hand
75
in: donna mind some
76
near: her hands to the body
77
in which: the feeling of face
78
full-: leisurely
79
-all: They also a little nervous
80
near: charles happy
81
near: donna little nervous But I think it's funny, I
want to refuse and greet the eyes
82
Near: Frank nostalgic memories of happy centralized brings to mind ah
83
full-: The first turning point in the natural climax of a lot of music
84
near: woman smile
85
near: charles smiling
86
-all: closer relations between the two and then
87
the past: close to
88
full: music up, and the two left and
89
full: already in place slowly and naturally donna dominated by a frank
90
near: from top to sway two individuals under
91
near: donna looked very tempting
each blend
92
near: charles happy again
93
near: soothing natural
94
full-: King conversion relationship sub-
95
near: frank excited expression coupled with the sound of impact ah ha
96
near: close again
97
near: charles reaction
98
in: woman Swaying
99
near: frank's happiness
100
: frank's excited eyes
101
near: donna is thrown out again
102
Near: The two people are getting more and more excited Donna's charming side face is suddenly turned charming
103
Near: Frank's slightly lowered head smile is dead handsome
104
Full: Turning around gradually
105
Full: The camera turns to both bodies and slows down
106
close: frank's face
10
full: fully wrapped
11
far and deep feeling

12
close: two people are happy
13
close: charles is happy
14
middle: donna is happy
15
middle: charle puts a chair transition shot
16
- close: three relations frank little tired someone came
17
near: two people is not cool
18
near: donna boyfriend is
19
near: frank praise
20
the past: boyfriend happy
21
-all: four relationship
22
near: charles frank expression a bit lost
23
near : Donna is a little bit reluctant to go
24
: Frank needs to pay for details, details are very important Character character
25
: Boyfriend has to pay
26
Near: frank stressed
27
near: donna two to pay
28
near: charle also in favor haha
29
near: donna still do not want to go feeling
30
near: two unhappy

scene Night
1
night camera panned slowly over the
symbolism of the night
sounds account of a woman looking very red

scene car
1
near: light half-dark frank grooming charle very good feeling in favor of the
2
near: charle do not have the feeling of watching his
3
near: frank talk does not play in it a shake rhythm
4
near: frank very troubled
5
in: frank left very desolate ah
6
in: charle very concerned about his
7
-all: heart have the details of the deal
8
near: Charlie glad to
9
near: drivers do not have means
10
near: charle remembered his Things
11
near: driver lets call
12
near: charles calls
13
Near: drivers account for a back operation to complete
14
near: note said George uneasy expression changes after the home charles
15
near: anger and anxiety
16
near: extreme worries
17
in: heighten the atmosphere
18
in which: the driver to sleep
19
near: charles sorrow
20
in: frank with him turned out lens
21
near: charle up
22
in which: the wind charle to admit him
23
near: frank enjoyed the
24
near-: charle smile anxiety transferred ah
25
near: Jingming side half penumbra Feeling ah
26
Near: Is charle happy for him
27
Near: Finally, this feeling of despair in the semi-dark

scene
1 The
TV content is pessimistic
2
Near: Charle is watching the time
3
Full-middle knocks on the door with a bit of hesitation
4
Middle: frank In bed
5
: come in
6
: talk
7
Near: see the anxiety in his eyes take the initiative to speak
8
near: frank is very tired
9
near: continue
10
near: near
11
near: explain all
12
near: frank doubts
13
near: charle responds
14
near: frank predicts
15
near: charle invites
16
near: frank very tired
17
near: charle very worried
18
near: tired
19
near: very concerned about the
20
special: frank want him to go
21
near: charle do not want
22
special: frank let him take the money
23
near: charle not want to go
24
Special: Frank's plan is suspenseful
25
Near: Charle is suspicious
26
Near: Frank is very tired
27
Near: Charle is worried
28
Near: Frank is determined to die
29
Near: Charle continues to persuade
30
Full: relations between the two have been close to the performance of the original is no longer allowed to enter my room
31
near: frank very decadent
32
near: proposal for a ride
33
near: frank airing interested to hear the Ferrari ah
34
Near: as soon as possible to continue to persuade
35
Near: evoke some emotion
36
near: enough to shake his leg to the point where close to
37
near: frank up

the scene
to sell cars in the shop
one
recent account of selling cars scene
2
near charle helpless
3
-all: the relationship between trio of
4
near: frank reaction
5
near: negative
6
near charle angry
7
full three relationship
8
in action licking mouth full flavor
9
full walk
10
in the promised
11
full progress
12
near frank began to attack
13
in which: the waiter hit back
14
near: slowly close
15
Near: Response
16
Near: Frank tempts
17
Near: Waiter counterattacks
18
Near: Angry
19
: Rejected
20
Near: Temptation
21
: Not enough money freddie
22
Near: Frank continues to lure
23
Near: The car seller is helpless and Frank is still enticing
24
Near: Thinning hair and wrinkles on the forehead and the last mouth licking action is unique
25
Near: Three layered charlie's reaction
26
Near: Continue to fight
27
Near: Negative
28
Near: Moved other thoughts and layering comes
29
Near: Three-layered frank's profile, cunning, sly,
car seller's character Charm
30
Near: The killer gives money haha ​​Close-up
31
Near: Everything is silent
32
Near: Got the

scene on the street
1 The
whole car came out
2
Near charle try to make him happy
3
near contrast lost
4
Near charle worry
5
nearly two comparison
6
near charle unskilled
7
near frank guidance given
8
near charle thought he would be glad to
9
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