The idea of the story is very clever, a French writer, a small Chinese mountain village. I found that going to the mountains and the countryside stimulated people's thirst for knowledge in a sense. In those boring days when only work was left, the greatest joy was to go to the "Library Pavilion" to pick up a good book and come back to the kang. Reading in the corner with candles at night. Because there are few books, so read carefully, because in the social situation of bondage, the free ideas in the book are more likely to resonate.
Born in the late 1980s, I really don't know much about the Cultural Revolution. The behavior of the villagers to pursue socialism may seem funny, but there is always a sense of ignorance and desolation behind it. French institutions often like to support the filming of some Chinese non-mainstream films. Jia Zhangke, Zhang Yimou and Lou Ye have won awards internationally for their films, and they all vaguely reveal the tone of understanding and criticizing China's backward society.
I didn't appreciate the State Administration's ban on films before, but now I think about it, do foreign media really support the film itself, or do they tend to see those backward, pedantic, and distorted Chinese stories?
The ending of the story is quite interesting. Men always hope to have a stable wife by their side, while women may be a little more terrifying when they are arrogant and arrogant. "Who changed you?" "Balzac", if the master Izumi knew, he would definitely grin and smile.
Luo Ming's sentence "I really love you" reminded me of the person I might like; Luo Ming was sitting in his living room wiping tears, and I finally understood that marrying a man with a deep emotional experience But it's not good, in comparison, it is still more important to miss than to accompany...
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