The one that impressed me the most was the one in the Chicago train station. This is just to commemorate the "Battleship Potemkin"! All the elements are in one-to-one correspondence, the Odessa stairs to the station steps, the guns to the guns, and the stroller that strung the montage onto the screen! It's not easy! Eisenstein should be happy to know! I like this part very much. Although it is only an imitation, it imitates one of the most famous bridge segments in the history of film development, and that bridge segment also brings a brand-new film art - montage aesthetics. The significance is really far-reaching.
I think of the film course I took nearly four years ago, and I think of Mr. Wei. It was his systematic introduction that allowed me to see a lot of really good movies, and saw "Battleship Potemkin". Some people remake this set of shots, no matter how much discussion there is, the courage to learn from classics and masters is worthy of appreciation.
There are a few soundtracks that remind me of Hong Kong shootout films in the 1980s, uh, this should be considered too much~~~
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