thrown out

Georgianna 2022-01-26 08:06:34

A magazine made a column of world erotic movies, which introduced "Boogie Nights" quite seductively and shockingly: it is said that the longest sentence in the world and the reflection of American erotic movies. For those of us who secretly watched pornographic films in the university dormitory, now we have passed the age of surging passion to the point of nosebleeds. It's already so unruly, and the backstage preparations are even more attractive, but only then can only be imagined.

Of course, this movie is not easy to find on the Internet, because the "moral defenders" are cleaning up the Internet environment again. I think the most important thing to clean up is their own crotch.

Without further ado, the film begins in a dilapidated nightclub in the 1970s. Director Jack, who specializes in pornographic films, found Andy. I don’t know why Jack knew that Andy was a good seed after just a few glances? Is there something so obvious on the outside? Of course, there is no denying Jack's vision. Andy was hesitant, but fame was too important for him to accomplish nothing and have a nagging mother.

Next, the audition with Heather Graham took me by surprise, it took me a long time to recognize Heather Graham, I didn't expect her to be so naked, reminiscent of the dedication of actors of that era, and of course Julianne Moore, maybe At that time, they were not very famous, and they always had to give something to the actors, and it was the same for both men and women. The scene where Andy went home and quarreled with his mother and ran away was a bit abrupt. It was arranged by the director, but it was a bit overdone. This scene was more about showing posters and stickers in Andy's room. I recognized Alpa Sino and Bruce Lee.

The next step was smooth sailing. There were directors, friends and people covering them. There was also the assistant director whose wife likes to have sex with others in public. Andy is a very good actor. He has talent, ideas and energy, so he bought a big house and bought a beautiful Car and show it all over the place, the peak means can't go up anymore, so it has to go down, he can't get an erection, the director has a new guy, he's taking drugs, he's starting to make a living, and it's rare that his partner Rhett can go with him Record horrific songs. Follow the dancer to rob someone's house, but unfortunately lose a mess, and in the end we can only go back to Jack to cry, we can only do what we are good at.

Julianne Moore's character is intriguing. Her maternal instinct makes her always unconsciously protect young men like Andy and the skating girls, but her career and drug addiction cost her her son, whose only appearance is Called his mother, but no one knew who Maggie was. In those crazy times, we swung and burned, we had sex, we did drugs, we made porn, we lived in big houses, we drove sports cars, and when we wanted to stop and rest we found we were thrown out, Julianne Moore in Weeping outside the court, she can't get custody of her son or even visitation rights, I don't know if she would like to give up what she has now just to get her son?

Heather Graham was always reluctant to take off her skates, even during sex, she was very free and casual, always sliding around the room and in the yard, she had no ambition, no love, no motherhood, all this mess , but she has the last bit of self-esteem, so she can't stand the college student who seems to be pulled into the car at random, to make him erect, make him excited, and make his blood flow, but he just won't let you in. You won't let you do it, I know you insulted me in class, you remember me but I don't want to mention it, that self-righteous college student was punished and he deserved it. You are also a guest, and you are also enjoying their works. You are having sex with the movies, and you are obsessed with the actors, but when you face them, don’t hold a superior innate sense of superiority. Maybe you will go home after being beaten. Masturbating to a roller skating girl's porn.

The poor assistant director finally freed himself and his horny wife in the first few seconds of the 80s.

Comrade Buck is a good black man who is optimistic but not very social. His appearance style is always not in harmony with the present. It seems that he has no role in pornography, just behind the scenes or doing miscellaneous things. Maybe Americans were not used to being in movies at that time. Seeing the black war, it was such a black man who was out of tune with the times and finally embraced the beauty, bracketing the white beauty, giving birth to a child and opening a store, and it was a joy.

Director Jack finally felt that video tapes were the future of A-films. We had to admire the old man's vision and Jack's flexibility, as well as his shooting techniques.


Philip Seymour Hoffman's performance is surprising. Although it is only a small supporting role, his acting skills and ability are the most convincing in this film. Although he is gay, he also has the right to love. Di's hospitality was a bit too much, and an inadvertent licking of his lips revealed his original intention. He had been hinting or quietly revealed to Andy, and finally attacked publicly before the 1980s, but was reprimanded by Andy. Very sad, he was very annoyed, he was very regretful, he was very helpless, he could only cry in the car, calling himself an idiot over and over again... After that, he still followed Andy to take care of him and help him, Although I won't like me, I still have the right to love, and I can follow you.

There is also the black girl who married a good husband, and the child molester funder, Reid who is willing to play a supporting role.


It's finally Andy's turn. Strange to say, I seem to have met all the actors in this movie. They are very familiar. Some of them can be remembered and some of them can't be remembered. Appeared in any movie, but his words confirmed a lot. It is not easy for him to calmly perform well in such a movie. It is just right, not tepid, and if he goes too far, he will be pretentious, but he is unable to control the role. Jack, but he can't do anything except make pornographic films. He was humiliated when he recorded a record, and he was beaten on the street. The robbery was not nearly fatal, so let's go back and make movies honestly.

We know the ending, it's bright, but can't convince me, Buck can't express himself in the face of the bank's loan officer, he's angry and helpless,
"We won't lend money to porn movie actors"
"I'm an actor"
"I'm sorry"
Actually I really want to know, do you guys lend money to people who watch pornographic movies? Will you lend to yourself?
Buck finally returned to his old business, and he also invited his former friends to shoot advertisements for him. Under the bright sunshine, in front of the newly opened store, we danced happily and said that the new store here has a discount. Until I saw him in Hotel Rwanda many years later.

The nightclub owner who wants to be the hero can only be a trickster. He didn't even let him miss a single point. Now he can't show off to the people in his hometown. But the nightclub is getting bigger and bigger. .

The roller skating girl goes back to school to finish what she's been doing all along.

Andy paid tribute to Robert in the dressing room, to the angry bull, to Jack LaMotta, to Martin Scorsese, and finally he showed his talent and his capital, telling himself "I'm a Star!"

Yes, we are all stars, but we have been thrown out of the era, we can only live on the edge, if God has mercy, maybe we will have a turnaround, we can marry a good husband, we have a windfall, but What about Andy? Although a star, his prototype died tragically. Just because we're porn movie actors, we can't get loans, we can't see our kids, we can't face the past, we're still looking for our place on the fringes of this society, and we can still be together no matter how small Warming and comforting each other, like Andy crying in Julianne Moore's lap is like returning to his mother's arms.

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Extended Reading

Boogie Nights quotes

  • [last lines]

    Dirk: [practicing his lines in the mirror] I've been around this block twice now. Looking for something. A clue. I've been looking for clues and something led me back here. Yeah. So here I am. It could have been me, the one who was at Ringo's place when the shit went down. Hey. I know how it is. I've been there. We've all done bad things. We've all had those guilty feelings in our heart. I'm going to take your brain out of your head and wash it and scrub it and make it clean. I don't know. But I'm going to have to settle this. First we're going to check the hole and see what we can find. We're going to get nice and wet, and you're going to spread your legs. Oh, that's good. So you know me. You know my reputation. Thirteen inches of tough load, I don't treat you gently. That's right. I'm Brock Landers. So I'm going to be nice. So I'm going to be nice. So I'm going to be nice, I'm going to ask you one more time. Where the fuck is Ringo?

    Dirk: [he stands, unzips his pants and pulls out his penis] I am a star. I'm a star, I'm a star, I'm a star. I am a big, bright, shining star. That's right.

    [he rezips his pants]

  • Kurt Longjohn: Little Bill.

    Little Bill: Hey. Kurt. What's up?

    Kurt Longjohn: What's wrong with you?

    Little Bill: Ah... my fuckin' wife, man, she's over there... she's got some idiot's dick in her, people standing around watching - it's a fuckin' embarassment.

    Kurt Longjohn: Yeah. Yeah. I know. Anyway, listen...

    Little Bill: Yeah?

    Kurt Longjohn: For the shoot - I wanna talk about the look. I wanted to see about getting this new zoom lens...

    Little Bill: Right.

    Kurt Longjohn: I wondered if we'd be able to look into getting some more lights, too, y'know...

    Little Bill: Jack wants a minimal thing...

    Kurt Longjohn: Right, well, very often, minimal means a lot more photographically than I think, well... than I think most people understand...

    Little Bill: I understand.

    Kurt Longjohn: No, no. Hey. I know you understand, I was talking about some other people.

    Little Bill: Well, I think what Jack is talking about is minimal, not really "natural", but minimal...

    Kurt Longjohn: Okay... fine... I was just saying...

    Little Bill: I understand...

    Kurt Longjohn: 'Cause I'm trying to give each picture it's own look...

    Little Bill: Can we talk about this later?

    Kurt Longjohn: Oh, yeah... you have to go somewhere... or...?

    Little Bill: Well, no, yeah... I mean...

    Kurt Longjohn: 'Cause I was hoping to, y'know, for the shoot tomorrow, we could send Rocky down and he could pick it up...

    Little Bill: Kurt.

    Kurt Longjohn: No. Hey. Gotcha. You've gotta go somewhere so - hey - what the fuck? It's only the fucking photography of the movie we're talking about.

    Little Bill: My fucking wife has an ass in her cock over in the driveway, alright? I'm sorry if my thoughts aren't with the photography of the film we're shooting tomorrow, Kurt, OK?

    Kurt Longjohn: OK. No big deal. Sorry.