and time and memory are inseparable. It
is always very pleasing to add emotional drama to science fiction films related to time and memory.
Donnie Darko
With a touch of nostalgia and the sad
butterfly effect of passing youth, it is so
eternal sunshine for the spotless mind, and so is it.
Every time
I have to put down the calm brain that analyzes the scientific logic of the movie, and
return to my feelings and emotions.
Yes, deja vu is watching I get dizzy dizzy
inside time and space makes me puzzled
afterthought plus look at other people's critic found that although can be explained through
but the director gave hint perhaps too small
for such a large business style of the film is
to Too little hint is not in line with the overall sense of the movie
(donnie darko is not the kind of movie that can be understood right away,
but people play with the mysterious wind. It’s not right to give too many hints),
but
the emotional scene in deja vu saves So my overall impression of it is
not so much an emotional drama
as it is a "feeling drama"
. The name of the film is a feeling. To be precise, it is an illusion
([deje vu] refers to when there is a speed difference between the left and right brains. A illusion of deja vu is produced, but in fact only one half of the brain gets the information before the other half) and
then this "deja vu (deja vu)" as the emotional line of the film runs through the plot
When the male protagonist doug sees the corpse of the female protagonist claire,
the feeling of deja vu is that
the close-up of the corpse with open eyes expressed through the lens is
not only without the atmosphere of terror,
but because of the gentle and slow way in which his head is lifted. A feeling of quiet and nostalgia.
This feeling can be understood as the gaze of the protagonist on the corpse
when he saw the living heroine on the screen of the space-time machine for the first time , the gaze of
doug reappeared and
he looked at him with a bright smile. There are some claires
in the filming of the doug and the claire. The
director did not use the traditional shot/reverse shot. The thing you watch is to show the connection between the two)
but to put doug and claire on the same plane
in a translucent way, creating a dreamy and fascinating feeling.
Similar feelings also appear many times in other parts of the movie.
Every time the hero and heroine "meet" (either directly or indirectly),
there will be a feeling of deja vu.
The beauty of this feeling continues
because the hero and heroine have so many connections,
but because these connections transcend time and transcendence memory load
caused by always separated by a layer of blur between the two media
has not "real mutual understanding"
the beginning doug only see dead claire
them through life and death
then doug can see on the screen smiling claire
them After the screen and time,
claire meets the doug who is going back from the future
doug already knows claire and claire thinks doug is completely a stranger
finally claire sees another time and space doug who came to investigate the scene
claire already knows doug but doug doesn't know the claire
heroine's emotional line
is always a beautiful deja vu
full of deja vu illusion
another
very deep a scene
when doug and other staff to observe claire through a time machine
claire feel that they had [they have been others looked] strange feeling
someone asked "the wHO's watching HER?"
doug replied "we are"
this It's really an interesting metaphor for the movie and the audience
doug. They are watching claire
and we are watching all of them.
Movies are also a kind of deja vu.
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