It's all about the financial crisis

Rigoberto 2022-03-19 09:01:04

The film is a remake of the film of the same name in the 1970s. Now the original script is more and more difficult to find, and the remake is easy.
The traffic in New York is probably the busiest in the world, so that the mayor can only go to work by rail. To make a fuss on this, it must be a big deal. Shooting such a movie on location in NYC cost a lot of money, and the remuneration of the two leading actors should not be low. Therefore, despite the investment of 100 million US dollars, but not seeing any large-scale special effects scenes, it is really against the purpose of popcorn movies. The film did not pursue the usual sense of speed and tension of similar films, but joined the confrontation between the two leading actors in the air. The confession room-style questioning, the choice between human life and guilt, added points to the performance of the two ace actors, but it was meaningless to the film as a whole. The ending of the film also seems to serve the two protagonists, confronting each other head-on, without any suspense at all. Judging from the information given in the film, the money earned in the gold market is far greater than 10 million, and the film could have arranged a rather gray and helpless ending. The limelight of the two protagonists overshadowed the whole incident. Writing about people is more important than writing about things. This kind of crime movie is worthless.
The film's admiration for rail transit can be seen everywhere. Without the subway, the mayor will be late, the ransom will not be delivered, the criminals will not run far, the employees of the subway can block bullets for the people (except for the police and retired soldiers, the subway drivers are all dead), and they can still be the savior at the critical moment. , the NYC subway is really a safe and fast way of transportation.

View more about The Taking of Pelham 123 reviews

Extended Reading

The Taking of Pelham 123 quotes

  • Ryder: Do you know what I'm looking at? Do you know what I'm looking at?

    Walter Garber: No, I do not.

    Ryder: Ok, well first there's my gun... and at the end of my gun, what's your name man?

    George: George, everyone calls me Geo.

    Ryder: George, his friends call him Geo. He's got this kinda eighties skateboard thing going on... he makes it work, but it's not gonna look too good in his casket.

  • Walter Garber: What's her name?

    Ryder: Lavitca, she was Lithuanian... she was an ASS-model.

    Walter Garber: She asked you what?

    Ryder: You heard of hand-models, right? Advertisements?

    Walter Garber: Right.

    Ryder: She was an ass-model... she did jeans and uh you know, magazines and shit. Anyway, it was fashion week in New York and uh... I took her to Iceland.

    Walter Garber: Lavitca, Lithuanian, Ass model, Iceland, you took her to the ice...

    Ryder: So, for five-hundred bucks they'll take you on a dog-sled ride on a glacier.

    Walter Garber: Dog-sled?

    Ryder: Yeah... and you know that whole saying that if you're not the lead dog, the view never changes?

    Walter Garber: Right, otherwise you're always looking at the asshole of the dog in front of you.

    Ryder: That'll be funny in a minute when I get to that part.

    Walter Garber: It's funny now.

    Ryder: [next scene] And it's eight in the morning, we haven't been to bed yet... and we're tooling across this glacier and I got this hangover that's creeping up the back of my neck... and guess what I'm looking at?

    Walter Garber: You're obviously you're staring at... the ass of the dog in front of you.

    Ryder: You got it! So this dog... out of nowhere just lifts his hind-legs up and puts them in the, you know the harness there... and just takes a shit, while he's running on his front paws. So he's dumping and running, all at the same time... now that's multi-fucking-tasking if you ask me.

    Walter Garber: Get outta here, did it hit you?

    Ryder: Shit always hits you man.

    [next scene]

    Ryder: I didn't know it at the time, but it was profound.

    Walter Garber: Profound?

    Ryder: Yeah.

    Walter Garber: Why? Uh, you lost me.

    Ryder: Well, you know uh... when I went to prison later on, what you called. Uh, I had trouble going to the toilet... you know, a privacy thing. And I... couldn't take a shit. I was scared shitless... literally. So, you know what I thought of?

    Walter Garber: You thought of the dog.

    Ryder: That's right... I thought of that dog. If it could do what it needed to do... so could I. It saved my fucking live.

    Walter Garber: Wow, that is profound.