- "Go to the WHERE do you want?"
-. "Anywhere the I want"
to see the film has been so Reminds me of the "Assassination Sharpshooter" I watched last winter, the same is a desperate rebel hero; the same is a plain to a bit lengthy narrative style; Jesse James and John Dillinger, the same stubborn and unruly; Jesse James is betrayal; John Dillinger can say Died of betrayal, but the character is made more romantic, and he fulfills all the duties he can to lovers and friends. Maybe from a social point of view, John is a bad guy, but from a human point of view, he is a real "good guy".
I think the movie really climaxes when Billie gets arrested. Dillinger sheds a boy's tears for the first time as he witnesses the last and favorite woman around him being taken to prison. Compared to interviewing in Indiana, ignoring the police, and easily escaping from prison, Dillinger slowly accepts his destiny from this part, and it is always moving when a hero comes to an end, and his death symbolizes the end of an era.
The wealth of violence, bloodshed, and lives that the well-dressed upper class could earn in a day using slender telegraph lines. For the sake of a political voice, Bell's police detective is polite but ruthless, watching his colleagues fall in a pool of blood one by one. Who is the real public enemy?
Dillinger knew his own destiny before taking the brothel owner mother and daughter to a movie. He walked into the empty Chicago police station alone. All the detectives, big and small, were all out for him. There were mugshots of him and all his accomplices on the wall. Photo, what was Dillinger thinking? A group of workers gathered in front of a small TV to watch a ball game, and no one noticed a hero passed by them, black humor.
Clark in the movie. Gable's lines should be Dillinger's inner monologue at this time. I'd rather die than live a meaningless life. 、
Byebye blackbird
Where somebody waits for me
suger sweet as he is
Noone seems to love or uderstand me here
Byebye blackbird
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