The glue is not sticky, and the 3D looks nothing but trouble.
Guangmo Ryoko is like a delicate porcelain doll, and she is very pitiful and pitiful. Compared with the performance in "The Undertaker", it can only be said to be unsatisfactory. This may be the intention of the green leaves of the safflower. [But the queen's talking eyes still save the fate of being completely reduced to a foil in the script, the wallflower in the camera. ]
Goemon of Eguchi. The number one green leaf in the movie. The opening scene is arrogant and arrogant, and the so-called Japanese martial arts style is full of freehand brushwork. Fortunately, the vulgarity of personal heroism saving everything -
what is power? For the first time, from the Demon King on the sixth day, he understood that the so-called power is to protect everything and not lose everything. But everything is not simple for the individual. Losing parents can have the Lord. But if he loses everything that the Lord calls him, only the female idol of Jing Hua Shui Yue will be left. After that, the words are not pressed. Since then, he has taken off the skin of a ninja as a "shadow"-like adherent, and exposed to the sun to become an unruly legend of the rivers and lakes. The robber, Ishikawa Goemon.
But in the end the "powerful philosophy" he learned did not save his world. Xiaoping Tai loses his mother by taking action for the disadvantaged children in the market. Save your life for your friend, and your friend's family is broken and blood is blurred in front of you. Even Sasuke, his sidekick and partner who witnessed the tragedy, was disheartened and joined others.
Where did this fate go wrong? The screenwriter uses the NOIR theory to explain: because the little people know what they shouldn't know, because the small opportunity changes dramatically. ——Is it true that the common people only have the order of "see no evil and do not listen to evil"?
What Xiaomin stole is not a box, but what Xiaomin stole is loneliness. There is no way to repay the bereavement. In the face of friends from many years ago, if you can't express your ambition, then use a folk title to prevaricate - I'm a thief.
There is nothing in the so-called Pandora's box. Not to say anything. but desire.
The desire to hide is to make a fortune to support his wife and children. Taking risks is the fate of the box. Ping Tai's desire is in the adoptive mother's death. The bloody feud is the life sentence given by the box. Toyotomi and Ishida's desire to rule the world. Rebellion and murder of the master is the destiny given by the box.
Nobunaga's desire is to end the war with war. The fate of the strongest weaves the fate of everyone, and becomes the fate of many fates.
In this doomsday, he unfortunately fell into a nosy and clueless prodigal son.
The blood of the parents painted the scales and half claws of the conspiracy on the door paper in the candlelight that killed the night. The bottom line comes from an unintentional move after many years.
Not being reconciled to being played by fate may be his gesture of playing the world. In the end, he was still a game of fate.
Simple hatred and complex ambitions have long been penetrated by fate. No one was spared, and everyone was eager to escape and grasp the pulse of desire.
The so-called "last battle to settle the world" means that the world will be conquered once and the desires of the three thousand seas of suffering will not be quelled.
The hidden covenant, the worst root of the world is that history is adding oil and vinegar to stir-fry a bowl of vivid cold rice.
As I said before, Chacha, Nobunaga's niece, a woman with a pure heart and a clear eye for love and hate, can't get rid of falling from one cage to another. In the shackles of another confrontation.
Luckily, she was saved by desire.
Desire is not bad. As who can point to a knife in the street and say it's something born evil?
It was Goemon's desire to save her from Abi.
Minor desires to live in peace. It is to see a lot of cruel life instinct after death.
It is the care and respect of love.
he loves her. The competition in the world is nothing but clouds. Goemon's grief that he hated his parents for not being able to have a child and his friend's not being able to have a child was ultimately pinned on his will to be born with love.
He single-handedly went to the meeting to kill. In the clichés of Tianda, he is finally vulgar and not crowded -
a son will be a fool to talk about dreams.
He beat again with NOIR theory. Not to end well. He was beaten by his former partner. End of life.
Before his death he pleaded, rather to ask Tokugawa, who had the last laugh: this is the last battle.
Old Tokugawa was silent. Until Goemon fell. He can't make promises. The writers have no answer. Only let silence be the deepest pretense or the most real escape.
The play came to an abrupt point.
——On the pretext of the little people's deep hatred of war, or the lack of confidence, they ended up in a bottomless fear of human nature. Whether those fireflies are compromises or hopes, there is no way to know.
But the woman who was saved by him was born into the door of lovesickness.
Maybe there will never be a turnaround.
Closing.
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