Milo Malakia (Jean Reynolds) is a descendant of Armenians in France. He is a well-known mafia leader. With his ruthlessness, the gang has developed into a splendid gang. But now that he is getting old and feeling more and more powerless, he hopes that his son Anton (Gaspard Ulliel) can inherit the family business. However, Anton only wants to live a peaceful life with his lover Ai Luodi (Faina Qiaokang), and is less and less interested in the murder of gangsters. So he began to escape the heavy family property that his father forcibly put on him as if he was escaping from pursuit. Meanwhile, police officer Sanil (Sami Boyagira) is gathering evidence against Milo, who also finds that Anton is a weakness. After several contests, Anton finally agreed to do his last big deal - robbing the cash on the plane, and then he didn't wash his hands. This is indeed the last vote, not only for business, but the end of life. Anton is dead! Milo's family welcomed another widow and a posthumous son.
Jean Reno is still seasoned, plus Gaspard Ulliel, this pair of young and old interprets the pain and contradictions in the characters' hearts incisively and vividly. Although the film is a police and bandit movie, it does not have the fancy camera splicing in American police and bandit movies, nor does it have shocking and fast sound effects; there are only simple cameras, editing and almost original sound recordings. Focusing on acting skills and not relying on post-editing, it seems that the romantic French people are definitely much more reliable in artistic creation than their industrial products.
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