A case that never has the truth

Nick 2022-02-28 08:02:06

I personally watched this film for the male protagonist of the pianist, and I was not disappointed. The suspenseful ending seemed to make people still unfinished at the end. For a film like this based on a real-life case, the truth will never be clear and unexplored. Therefore, the director wisely uses the ingenious idea to divert or guide the audience to pay attention to the death factors of the deceased from another angle with the narrative of the conflict with his wife's divorced detective's family. . .


Now it seems that this is a good strategy. It not only retains the doubts of the original conclusion, but also excavates many related details about family affection, love and betrayal caused by death, which is intriguing. This is the best way to tell a story.

It's a pity that Diane Lane is really a lot older, and a woman who has lost her youth and lacks hysteria is subtly and slightly warped by him. Ben Ablek can't see anything outstanding, it's just a vase, which may be related to the limitations of his role.

Alan Coulter, director of the film "Hollywood Manor," said that although the story took place nearly 50 years ago, there are still some hard lessons for people today. "It's a film that's very close to our lives right now, and it's mainly about stories that happen in a group of celebrities. Those who have photos in the newspapers, even if they only have 15 seconds of fame, need to take a serious look." He also said: "Hollywood has been promoting the idea that you have to be charming and famous to really be respected. I think that's what made this film a tragedy in the end."

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Hollywoodland quotes

  • Howard Strickling: You have anything to tell me?

    Eddie Mannix: About what?

    Howard Strickling: Anything I need to have a story ready for.

  • Louis Simo: He shoots himself, you all wait 45 minutes to call the police. That's unusual.

    Carol Van Ronkel: You ever been to a party where a man goes upstairs and blows his head off?

    Louis Simo: No.

    Carol Van Ronkel: Then how do you know what's unusual?