Mary and Max, is the fourth clay feature from Australian director Adam Elliot. Adapted from a true story, about friendship, 20 years of friendship, 20 years of never meeting but the only friend. The real-life Max is an American with more than 20 years of correspondence with the director.
There are two worlds in the movie, Mary's world, in the suburbs of Australia, Max's world, in the high-rise New York metropolis, two Jews of different ages, in different worlds, but they have the same autism, they are not People understand and are laughed at, and their hearts are so eager for friendship. The color of clay also has two worlds, the black and white world, and the red in the black and white world. These reds represent weirdness, absurdity, and color. Mary's mother's lipstick color, Mary's mother also painted Mary such a lipstick. Color, red on Max's head.
Adam Elliot actually draws on American Jewish female photographer Diane Arbus, she likes to photograph those weird people, weird normal people, and normal weird people, good and evil, beauty and smell, light and darkness, normal and abnormal, all Presented in this black and white and red world.
PS: All Max worlds are black and white.
PPS: All of Mary's worlds are pale.
PPPS: Everything Max sends to Mary is in black and white.
PPPPS: Everything Mary sends to Max is in pastel colors.
PSS: Friends are made with the heart, not the eyes.
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