The heroine of Rohmer's film is either a secretary, a government agency employee, or a teacher. In summer, everyone greets each other with the phrase "Have you gone on vacation?". In short, there are endless fakes. The scene is Paris or small cities nearby, planning orderly and without losing artistic temperament, suburban lakes, hillsides, or seaside resorts, the home decoration can be published in home magazines but very comfortable.
In fact, there is a very important point about watching Rohmer's series of films obsessively. The scenes in the film, those lakesides with sunshine, quiet courtyards, or a corner of a lonely park, the temperament of the characters, the clothes, and the That kind of character that even if you get angry, you can't get angry, and you forget it when you look back. It reminds people of the lost ideal of the old life. It seems that in the era of elementary school, adults have to go home from get off work at noon to do it. Rice (no anxiety), the noon sun shines in the courtyard, chickens or pigeons are cooing, watching the stories of western cities described in the villain book can still imagine beautifully: in the future I will also experience, Part of it is part of the real, and some of it is glorified from memory: walks shaded by tall plane trees, cyclists, some old-fashioned factory areas and ditches….
I don't want to touch the topic of urban change again, but I feel sadly that the leisurely life of speculation in the film seems to have been owned or never experienced, but only exists in imagination.
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