It is a pity that the character design of this film is trivial, but the relationship between the characters is intended to be expressed in a subtle way. For example, between the protagonist's agent and his two "old friends" who appear repeatedly, he used to regard him as a brother and was ruthlessly betrayed because of money. This section could have been dug deeper to enrich the image of the agent and at the same time pave the way for the subsequent conflict between the protagonist and the agent. However, the screenwriter did not. He only mentioned it casually when he had the first conflict with the male protagonist. The current relationship between an "old friend" and the manager is ambiguous, and even a kind of timidity does not know where it comes from. Another example is the young man (wearing a black hoodie) who was in conflict with the male protagonist at the beginning of the film. Later, in the fight with the huge dirty fat man, this person saw that the protagonist was in danger of being strangled and came forward to rescue him. The unfriendly atmosphere of Nei's second encounter formed a transformation. I thought this would be the prelude to the beginning of their friendship. Who would have guessed that this brother was just a passer-by in the screenwriting, and there was nothing to do with him later... ...then don't waste this ink, okay? ! Another example is that the character of the heroine is particularly unsuccessful. When the dispute between her and the agent was discovered, the whole movie became inexplicable. Since she was just a bet helper, why did the dialogue between her and the agent sound like Is she a troublemaker and has a tangled relationship with her agent? Why can't you fall in love with the male protagonist? Is there anything wrong? Why didn't she explain it to the male protagonist? Afterwards, her half-pushing and half-considered appearance in the passionate scene with the male protagonist is even more illogical. I can only follow the screenwriter's idea to attribute "half-pushing" to her unspoken "shocking secret", and "half-pushing" because she has a lot of love for it. The love that bursts out of the hero. The most surprising thing is that the encounter between the three of them in the elevator actually became the biggest conflict in the film... No, if you are really racking your brains and can't think of a better conflict, you can ask the elementary school for advice. Second grade composition master! At that time, I could make up a lively and emotional "Snowball Fight with Dad", even though we were basically like passers-by.
Well, the worst is not the above, but the contradiction behind the final battle, which is the focus of the film, because he accidentally beat the father who persuaded him when he taught his bastard teammates who bullied him? ! ? ! ! ! What does this "unspeakable sad story behind" want to explain? Is there a reason why the male protagonist ran to the corner? Or is it the reason why the male protagonist is emotional when he fights?
Comrade screenwriter in his messy film full of loopholes, the most satisfying thing must be the setting of the ending... Congratulations, your goal of reaching the top ten in Hollywood has been achieved. Yeah!
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