same theme is death, father and son and nostalgia, the clues are simple, and the emotional transition is similar, but this film also has a special attraction factor.
A group of beautiful people in the father's circle Some of the old intellectuals remind me of the BLOOMSBURY Salon in England in the early 20th century. Writers, artists, aesthetics, scholars, and various literary and artistic intellectuals gathered together. The sophisticate of their dialogues and the amusing cultural atmosphere may be the same. Like this film, even small talk is always a big topic, talking about history, politics, sex, dozens of "-ISM"isms, others sarcasm each other and then self-sarcasm. The self-cultivation and knowledge of the older generation The rigor of the structure forms a stark contrast between the "unliterate" and "commercialized" Barbarians of the younger generation (the ignorance of teaching students - "illiterate"; the great wealth brought by the son's venture capital investment - "commercialized"; and the daughter-in-law even The auction houses most associated with art and culture have also been extremely commercialized: the stock of churches is commercially worthless. Invasions of the Barbarians have a double meaning, one of intellectual nostalgia and a sense of arrogance. stance brought sarcastic tone; and secondly, is the son of a substance brutal world of "Prince" his father finally at the very end of the life course to do meticulous filial piety, long-lost love of father and son eventually be connected.
this film on What I am impressed by is both in my head and in my heart. The scattered plot arrangement seems to be careless, and its humanized depiction, intentionally or unintentionally, retains the subtlety and control of intellectual sentimentality. The ups and downs of the film. However, as life has restored its original flavor, even if it is inadvertent, the beautiful scenery and beautiful human nature will naturally expand. Like the quiet clouds above the head when the father euthanizes at the end of the film, and the son and the ambiguous childhood sweetheart are half The indulgence and reality of kissing are actually life.
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