or the 216 numbers he finally found after going through so much.
I don't understand how abstract the director is trying to express.
There's always a meaning, right?
What is that brain?
Who was the guy who shot him?
What is that little girl?
What was his final "release"?
I would love to ask.
But am I thinking too---
too much?
Did the director just want to use a superb shooting technique to show that science and life are disconnected?
Like the Trish shards, it makes
me sick to my stomach.
Maybe I'm sticking to some of the more story-oriented little complexes like Hollywood?
It's getting harder and harder to understand independent films.
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