I have always believed that if a film wants to tell a good story, the first thing to consider is how to make the film's own aesthetic system [including clothing, lighting, props, environment, and the aesthetic elements contained in the emotions and actions in the inner setting of the story, etc. ] and the story system [characters, plot, rhythm, etc.] are perfectly combined. When Caroline grabs the doll with her rash from holding the poison oak, the audience is drawn into the story. There's no denying the magic that comes with the right presentation. Later, this atmosphere did not disappear. Seeing the button eyes of another mother, the whole film could not be put down at all. After that, a series of stories were not only completed by Caroline alone, but also completed by everyone in the audience with her. of. The weird atmosphere that has been entangled from the beginning of the film finally fully exudes, and it will not make people suffocated and unable to spit it out, and it will be uncomfortable to swell. Those grand scenes in the film always remind people of the lively ghost market in Liao Zhai. Under the splendor and prosperity on the surface, there is a black chill from the bottom of the abyss.
[Write it casually, as a souvenir of emotion after watching the film]
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