rapid and tense running in electronic music gave me the strongest auditory and visual shock. It broke the traditional fixed concept and boundary of time and space, and emphasized the time with the opening pendulum and the details in the play The importance of it is worthy of the "brilliancy of postmodernism". In the strong non-reality atmosphere created by animation and real people for the viewers, reality and virtuality merge in the same time and space, which makes me feel the light of post-humanism. In fact, these are not what I really want to express. The real reason I like it is the deeper philosophical thought it reflects. "People, players!" But is this just a game about three reincarnations?
Heidegger once said: "Death as the ultimate of Dasein is Dasein's most own, unrelated, definite, and as itself indeterminate beyond possibility." Human existence is There is death, there is death. All our activities accelerate our death - we live and we die. Existentially speaking, an organism's complete loss of response to the outside world leads to death, and death is the most extreme possibility that destroys all possibilities. It makes all possibilities impossible, and it is the loss of Shou Nuan consciousness. Human beings independently endure the mutual ridicule of life and death in a way that they can exist—as long as we exist, death is not there; as long as we are not, death exists.
In the face of life that cannot be chosen and death that cannot be escaped, the God of Fate clearly proves the finitude of human life and the finitude of the world. In the film, however, Lola's rapid growth becomes a symbolic vision. There are two dimensions of life, namely existence and the meaning of existence, and these two dimensions have simultaneity, juxtaposition and reversal. She exists in the way of love and pursues the meaning of existence in the way of love-love as the support of her ideology and the source of meaning connotation makes her free and easy to burst out the energy beyond the limit. Red hair, red phone, red ambulance, and red purse represent a tenacious vitality, and the red picture of the critical point of reincarnation seems to have rescued me from the fear of death. She seems to transcend the marginal situation of death. In this film, immortality is opened up with the liberation of the infinite by the finite, and her will and the ideology of immortality are relatively perfectly integrated, allowing me to see the dawn of hope. For these limited confusions, human beings are no longer forced limited creatures-existence is no longer limited existence; attachment is no longer limited attachment; freedom is not limited freedom...
What surprises me is that "Lola Kuai" "Run" has a refreshing interpretation of death, namely "reincarnation". The author believes that this is the spiritual core of the whole film - not satisfying the superficial level of reality, daring to deny, daring to initiate a limited pursuit of an infinite higher level. This is not the reincarnation of the Three Realms and the Six Realms in Buddhism, but a whole new sense of reincarnation. In order to live, one must die first, and the premise of new life is death. The endings of the three reincarnations are better than the last, in a spiral shape (connecting with Hegel's negation of negation), which may be the awakening of the negative state of mind from the deepest positive state of mind. The three open endings also seem to imply the infinite possibilities of human beings. The driving force behind this kind of reincarnation is one's perseverance, positivity, and super-wisdom, just like the discovery of the true true nature through the discovery of the true true nature. Use these to penetrate the world, deny the corruption of life, break the truth of life and the truth of the world, thus realizing the transcendence of time, the transcendence of realistic meaning, and the transcendence of death - the infinite approach from this side to the other side. . Turning all impossible into possible - realizing the transcendence of the finite to the infinite. To be excavated, the analysis is not deep enough.
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