I think the main reason why romantic comedy cannot become a classic masterpiece well-known by authority figures is mainly because the ending is so unsurprising, because he has already said that he is a romantic comedy. Without suspense, there will be no thorough enlightenment. Without the situation where oneself is cheated and applauded for playing well, it feels as if a person as smart as one can be cheated, and so on.
There is no suspense because its goal is simple, just to make people laugh, and to make people feel better in the love that is always unsatisfactory and unsatisfactory in reality. So it becomes scheming.
But it cannot be said that because of its simplicity, it can dodge a lot of notoriety, such as some bad films, it is a sin if the director himself feels that he is spraying manure. I won't call it anymore...
speaking of this movie.
I have always liked Miss Welsh. Most of his movies are very good-looking, with a good agent, who can help him choose some movies that suit him. For so many years, he has acted in various genres, and he has to have male opponents in the opposite scenes. The young girl opponent has a small opponent, and there is a monologue to have a monologue, which makes people remember.
The plot of the movie is also pretty good. It's a bit far-fetched to say, but it's not too much. It's reasonable, and some detailed designs are very capable of capturing male and female audiences. There should be a love expert in the advisory group.
There is a piece of music that seems to be from SEX AND THE CITY. Did I hear it wrong? It's on the steps where El Porter eats sandwiches...
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