The debut is a lonely thin figure, like a frozen clay sculpture in the snow on the top of the Tianshan Mountains, suddenly shot, under the long hair is a face that is not shocked. He didn't care about the emperor's life or death, he just quietly guarded the Utan fairy flower under his feet, plucked it when it bloomed, and exchanged it for his lover's gray-haired blue silk.
When he appeared again, he was the trainee of Xiao Zhuo Yihang when he grew up. He knelt down in the hall and raised his head, his bright eyes flashed, and a classic expression of cynicism flashed out. This is no longer Zhuo Yihang, the cowardly and capable co-existing cowardly written by Liang Lao. Although, this person also disregarded the common sense and fell in love with the wolf girl he first met when he was a child, although this person also vowed to leave everything behind to be an ordinary person. Had to be involved in the rivers and lakes storm again. Leslie Cheung's Zhuo Yihang, in addition to being a chivalrous man, is more flexible and unruly.
In the storm of rivers and lakes constructed by Yu Rentai, no one is a decent person in the true sense, and even Daoist Ziyang, who is most sure of readers who are familiar with the white-haired witch, does not believe in the definition of "good person" from the bottom of his heart. Bai Shi, who has no "ambition", or He Luhua, who has a flowery appearance but a big head and no brain, has become a part of the world of rivers and lakes in the movie, and at the same time, both of them are subverting the most traditional distinction between good and evil in Liang-style works. Pure and pure, this is just the qualification to practice Nishang and Zhuo Yihang. And their little wishes are destined to be destroyed in the battle between good and evil, which is also the root of the white-haired witch. "May I stay with my loved ones" may really not be suitable for such sinister rivers and lakes.
In the era of "Farewell My Concubine" and "Dong Xie Xi Du", as "Leslie Cheung", a signboard that has already dominated the Hong Kong film circle, he is outside the music circle, but he can continue to travel the ultimate light and shadow world with ease. Not as fit for the role as Brigitte Lin, as stunning as Wu Zhenyu, not so charming, and no longer indiscriminately flamboyant. He was just Zhuo Yihang, who was a little arrogant, but he threw himself into the boundless sea of suffering in the dark night. It's not his best movie, he just announces the existence of a different Zhuo Yihang, and he really controls it just right, that's all.
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