I don't know much about Mozart, I only know that he is a musical genius. I approve of the weird laughter, the innocent, romantic, and talented big boy Mozart presented in the film. Distressed that his pure eyes became miserable after borrowing money from others-it was supposed to be the focus, confidence and brilliance of staring at the stage performance and conducting the band under the stage!
If Salieri is not included in the script, this film may also give people a deep impression, and Tom Hulce may also win one or two nominations for best actor.
However, Salieri, Salieri in Mozart's biopic, has overshadowed Mozart's light!
I suspect that the screenwriter deliberately made Salieri the first protagonist of this film called "Mozart".
In every match between the two people, the tragedy in Salieri's character turned out to be scattered and terrifying, which made people shudder. The haze was like a big black net, which instantly trapped Mozart, the Sunshine Boy. Mozart's "amazing" light was completely concealed by this "photogenic" black charm. Only in the last scene where Salieri helped Mozart write the score for "Requiem", the balance was slightly balanced.
You look at Salieri's eyes, sometimes frightened, sometimes obsessed, sometimes stiff, sometimes desperate. He should be three points bad, right? But I don't hate him at all, I just pity him.
When faced with a genius like Mozart, contemporary musicians either sighed and worshipped, or openly hated and wantonly slander. Salieri doesn't seem to belong to these two categories. This adds to his mystery and drama.
He is a wolf, he is a sheep. He is old ginger, he is green onion.
Just don't suppress evil.
After watching the whole film, my first impression: Mozart's tragedy is also Salieri's tragedy. In other words, it is Salieri's tragedy first and foremost.
Since Sheng Yu, He Shengliang.
(Regardless of the actual historical facts) Salieri must be so emotional in the play.
But as far as the actors in the film are concerned, it is so emotional to change to "Mozart".
As evidenced by the facts, F. Murray Abraham won the Oscars and Golden Balls that year, and... etc. And Tom Hulce is just a nomination and foil. It's a pity.
PS1, it’s strange that there are very few introductions about F. Murray Abraham on IMDB. I only know that it is a mixture of Italian and Syrian. Both appearance and performance are very dramatic.
PS2, old Salieri's makeup, tusk, without flaws, adds a lot to the character creation.
PS3, the actor Elizabeth Berridge of Xiaojiao's wife also has a unique temperament: Lolita type. The pure face and the devil's figure reflect the transition from a girl to a woman, like a charming green apple. It's a pity that it didn't stop after acting the film.
PS4, just found: (from the film review of "Looking for Copenhagen"): See Amadeus's director's comment. They used such a sentence when speaking about the actors of Salieri. His temperament is dormant with a bitterness. Ready to come out.
PS5, the maid is so familiar, I thought for a long time before I remembered that it was Miranda in "sex and the city"! Obediently, "Miranda", the lady with long and weak hair, performed ridiculously green.
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