The girl imitated her mother, her eyes did not reveal the slightest sympathy,
and she repeatedly practiced in a contemptuous tone: "You're not my type!" At that time, she lived in the shadow of her mother with pure reverence. The whole world, this woman is her religion and belief.
If there is no later turning point, I think this little girl will be subdued by the endless charm of evil and become another oleander.
However, after tasting the right and wrong of being hurt and being hurt, she just restrained her edge and turned into a pool of plain water.
Love Astrid's first look. A light-colored dress, a little bit of coquettishness is now between his eyebrows, and his long golden hair is as soft as silk.
At the end of the film, she grows her hair again and twists it, and her life returns to peace, but it is not the beginning.
Unable to forget that after being bullied, she cut her long hair with a knife, held the knife against the jaws of others, and learned how to be strong.
She couldn't forget her refusal of the boy's sincere invitation with her eyes hurt. She saw the poison in her body, and she saw all the sins.
Can't forget her wearing heavy makeup to see her mother and sitting in front of that woman like an enemy. She deliberately provoked her, which was punishment.
A circle and a cycle are all the same scam.
Growing up violently, she was covered in bruises and bruises, until one day the wound healed and the scab fell off and new skin grew, and she could be redeemed.
Murder, brutality, and death in the film are dazzling. In the end, it turns out that what it conveys is a simple truth.
Reminds me of "Ship of God" by Kaori Jianguo. The same mother and daughter who depend on each other, and the same unusual mother.
Caozi moved with her mother to various cities until one day, Caozi chose to stay in one place and live her own life.
Every mother has probably faced such a moment, when the child suddenly grows up one day, and it seems that he doesn't need you anymore.
And Ingrid is confident and proud, she has always believed that Astrid will only survive in the world that belongs to her.
She nourishes the little girl with her own toxins, raising her as part of her own body.
It's just the appearance of too many people and the occurrence of too many things that make this little girl farther and farther away from her.
Claire's appearance taught Astrid what true love is, and made her understand that both cruelty and possessiveness in love are distorted.
And Claire's death allowed her to cut the tied rope and escape from her mother's shackles far away.
But I don't know if Astrid was reluctant when her mother finally let her go. She just murmured in tears: "She let me go."
Can't follow her footsteps to more charming places. The mother chose to leave herself alone again, as if she was young.
However, no matter how far apart, their roots are always connected and they are always in love.
Of Shunji Iwai's films, the only thing that can't be read is "The Binding of Love". Tried many times, but always gave up halfway.
There is anxiety in love, greed in love, and corruption and self-abuse in love. Only by falling together can we obtain the greatest satisfaction.
If only death is eternal life, it is better to lift the ropes to keep each other awake, and let distance reduce the side effects of love.
I love "The White Oleander", perhaps because of its positivity, it is an ambition to develop an independent will.
In the end, Astrid became a water gardenia that was stained with dust but still soft.
And the days of trying to be an oleander still haunt her.
The intense aura emanating from the most beautiful white oleander is still her most love and nostalgia...
View more about White Oleander reviews
