Yes, you are a vampire.
If you only watched one Nordic movie from last year, you must not miss this Swedish movie "No Ones Enter". It is not the kind of vampire movie that people imagined. Compared with "Twilight", which has handsome men and beautiful women, and hilarious and funny, "Don't Enter" has a completely different style, but it has been highly praised by industry insiders in North America. Win without a doubt.
"Do not enter strangers'
Director: Thomas Alfredo Anderson
Starring: Kyle赫德布朗特, Lena Leonard Wilson
■ literary padding
latest dramas recommended
several friends to say: If you look at a Last year's Nordic film, then you must not miss this Swedish film "Let the Right One in" (Let the Right One in). It should be pointed out that it is not the kind of vampire movie that people imagined—good and evil are incompatible, and you need to use the silverware holy water cross to fight for your life. "Never Enter" tells about the taboo love between humans and vampires. If it can be called "love", it should also be specially marked as the two little version without guessing. There was a vampire film competition last year. Compared with "Twilight", which has handsome men and beautiful women, and hilarious and funny "Twilight" (Twilight), "Don't Enter" has a completely different style, but it has received high praise from North American industry insiders, and it will undoubtedly win. .
A lonely little blond boy named Oscar, he was bullied and bullied at school, so he was not lonely. The pale vampire girl named Ellie, she was barefoot and thin, and her face was haggard because she had nowhere to eat. Because of loneliness and cold, they got to know each other, regarded each other as good friends, and shared their thoughts. Across a wall, the use of dots and dashes to send Morse code to communicate is even more special.
One of the major features of "No One's Entry" is the coldness. The Swedish town has long winter nights and a unique environment. The plot is also surprisingly cold, and the distinctive appearance features of the young actors are even more helpful. Even if there is a key blood-sucking scene, the film uses the push mirror, does not speed up the editing, and deliberately creates a tense atmosphere to please the audience.
Oscar is in a single family. Seeing his sensitive and vulnerable appearance, he once imagined that this would be another "Pan's Labyrinth" (Pan's Labyrinth) with a fantasy route. On the surface, the mother-son relationship in the family is harmonious, but the mother does not know the son's mind and allows him to be shrouded in the shadow of violence. Life is pretty cold for Oscar, so he fights back with Ellie's persuasion.
Some of the dialogue in the film can be described as cold. For example, when two people are in the same bed, Oscar asked softly, "Is it possible for me and you?" Even more ambiguous is the sentence "Oscar, I'm not a girl", and the rough-hearted guy will definitely answer "You are a vampire" in his heart; but the close-up of the lower body that flashed by is somewhat surprising.
From the bloodletting father to the ending where the two of them go on the road, "Don't Enter" is really ambiguous, always giving people a false impression: Is there a lack of play that is not done enough, half-awake and half-awake and unclear? This requires you to rethink, and the complex experience brought by the film is also here, with a little evil in the warmth. Oscar chose to be with vampires, what will happen in the end? From the perspective of real life, it is a kind of sadness no matter how you say it - or one word: cold. [Southern Capital http://epaper.nddaily.com/C/html/2009-03/07/content_722557.htm ] The
snow- covered ground and the light in the cold winter make the film deliberately visually highlight the coldness. The photographer was careful to create this atmosphere, avoiding the usual bouncing shots that make the image look frozen. ---Manohla Dargis ("New York Times")
This vampire movie is extraordinary, it can make your blood chill and warm your heart, which is what bothers me the most. —Peter Howell (Toronto Star)
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