At least we can choose to believe in goodness

Kiera 2022-01-25 08:07:39

This movie was beyond my expectations. I like the role of Julie very much, such a woman; ordinary, failed marriage, not a lot of money, not sexy and seductive, and conservative and slightly indifferent, but she is conscientious in her work, helpful, educated, sensible, and witty Brave and contagious; especially embodies great maternal love, but most importantly, her persistent efforts for dignity, justice, equality, truth, and the courage to not fear evil and intimidation, and is gratified that, Public opinion chose justice.

I originally thought that although such a theme has practical significance, it will be very heavy and dull, but after reading it, I feel very comfortable, not because of this ending, but because of the power of people's belief.

The film has a documentary flavor, and it has a side view of the corrupt politics and police stations at that time, as well as the intrigue between justice and evil, which is wonderful; Angelina's relaxed and full performance makes the plot even more exciting. It feels that it combines the hope and belief of Shawshank redemption with the irony of flying over the madhouse. It is a rare masterpiece that reflects reality in recent years.

Of course, here, I have no intention of discussing the social conditions reflected in the film, nor do I agree with many people's view that "Los Angeles in 1928 is China today"; aside from political factors, I think the film is actually telling us a belief— - Brave faith for justice; optimistic faith for life.

The ending was not a happy one, Julie still didn't find her son, and the movie didn't tell us explicitly whether Julie's child Walter was dead. But what does it matter? In many cases, the ending is more shocking than the happy ending.
My point is, actually, obviously, that Walter is dead, and Julie must know that. The reason why the murderer dared not tell the truth when facing Julie was because he was afraid of hitting her, but he didn't say that he didn't kill her. This is a lie, and he has sworn not to lie again; plus the previous plot, the accomplice child was so sure to identify Walter, it looks like he must have been caught while he was running away with David, and he killed it himself.

As for the murderer saying that Walter is an angel, I think it may be that this child is really cute and different from other children; but there is a crueler explanation that the murderer deliberately told Julie to stimulate her. . . . This matches this BT style

So Julie knew very well what the truth was. . . . However, one can choose a lot of faith
Julie choice of faith is: Hope ~

life there are many compelling circumstances, fate had no choice, or to change what has happened, but what the future, as well as how to live on their own, are You can choose. At least, we can choose to believe in goodness.

Speaking of this, I suddenly think of when "Slumdog Millionaire" won the best original music at the 81st Academy Awards, the songwriter who came on stage to accept the award said: "I have been in love since I was a child. I have to choose between hate and hate, and in the end, I choose love." Simple words, but they point directly to the heart.
I have to say that Angelina Jolie played it too well, of course, I like Kate more, she deserved to win the actress, but I can only say that this time the competition is too fierce; Jolie lost a pity, but won Good reviews.

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Extended Reading
  • Damian 2022-03-24 09:01:31

    A mother's love is strong and great. Society is dark and cruel.

  • Micheal 2022-03-21 09:01:32

    The American Dream's place in the hearts of Americans may really not be underestimated. Although the story of the main theme is always good and evil, it does not necessarily end in a happy ending. Reality has its objectivity. The search process is to make up for her negligence, and the so-called responsibility is probably here. In the process, it is the mind that grows.

Changeling quotes

  • Detective Lester Ybarra: If that's how you want it, then I guess we're done here. Tell county jail we're remanding him for trial.

    Arthur Hutchins: Wait. I didn't do anything. I wasn't even here when it happened.

    Detective Lester Ybarra: By pretending to be Walter Collins, you're interfering in a police investigation of a kidnapping and murder. We can try you as accomplice to that murder after the fact. That's too bad. County jail is a lot worse than a juvenile hall or a foster home. It's a lot worse.

    Arthur Hutchins: You can't do that. I'm just a kid.

    Detective Lester Ybarra: Mm. Sanford Clark's a kid, too. Fifteen. He's going to jail. All murderers and their accomplices go to jail. Everybody knows that. Get him out of here. It's out of my hands now.

    Arthur Hutchins: Wait. I don't want to go to jail.

    Detective Lester Ybarra: [pause] Prove it.

    Arthur Hutchins: I... I knew Los Angeles is where they make the Tom Mix movies. I figured if I could meet Tom Mix, maybe he would let me ride on his horse. His horse is named Tony. Did you know that?

  • Dr. Jonathan Steele: According to your file, you believe that the police substituted a fake boy for your son.

    Christine Collins: No, I didn't say he was a fake boy. He's not *my* boy. They brought home the wrong boy. My son is still missing.

    Dr. Jonathan Steele: Well, that's strange, because I have here a newspaper article with a photo of you at the train station, welcoming home your son.

    [shows her the article]

    Dr. Jonathan Steele: That is you in the photo, isn't it?

    Christine Collins: Yes.

    Dr. Jonathan Steele: So, at first, he was your son and now he's not your son. Has this been going on for a long time? People changing, becoming something other than what they are?

    Christine Collins: People don't change.

    Dr. Jonathan Steele: You don't think people change?

    Christine Collins: No, that's not what I...

    Dr. Jonathan Steele: Shh! The police, they're not out to persecute you?

    Christine Collins: No, they're not.

    Dr. Jonathan Steele: No, they're not. The police are here to protect you.

    Christine Collins: Yes.

    Dr. Jonathan Steele: Really?

    Christine Collins: Yes.

    Dr. Jonathan Steele: Well, that's odd, because when you were admitted, you told the head nurse that the police were conspiring *deliberately* to punish you. So, either the head nurse and the interns are also conspiring to punish you or you're changing your story.

    [pause]

    Dr. Jonathan Steele: Do you often have trouble telling reality from fantasy, Mrs. Collins?

    Christine Collins: No...