family words

Gayle 2022-01-25 08:07:39

I have to admit, I'm biased against director Clint Eastwood.

Actors and directors who act well and direct like this, especially those who take the hard-guy out-of-the-way acting style, are not very good at "subtracting" as a director. Although Clint Eastwood is amazingly talented, I can't digest his provocative tactics like CCTV's Spring Festival Gala.

"Mysterious Child" is adapted from a real historical event that took place in Los Angeles, USA in 1928. A single mother, Christine (Angelina Jolie), who works on a telephone operator's desk, lives a simple and peaceful life, raising her son Walter by herself. One day Christine discovered that her son was missing. After reporting the case to the police station, the police station launched a search work and brought a little boy who was not Walter and forced it to Christine as a demonstration of the police station's work achievements and made a public report. preach. The stubborn mother, Christine, had to fight unremittingly against the corrupt and dark Los Angeles Police Department, and was even sent to a mental hospital for torture. With the help of Pastor Gustave Brigaber (John Malkovich), Christine turns a mother's struggle into a civil rights movement of Los Angeles citizens against police corruption, knowledge and law. A wonderful piece of writing in history.

To be fair, Clint Eastwood has been pretty cool in directing the film, and Angelina Jolie has been impressive. I appreciate the choice of perspective by screenwriter Michael Straczynski and director Eastwood, starting with the case story of single mother Christine, and seeing the big from the small is more attractive than the point of view of a political movement. There are many people. The cinematography of the film is the most prominent. The shot of Christine standing thoughtfully at the window makes full use of the mirror effect, which well shows the inner torment of the single mother under her calm exterior.

Despite this, Eastwood couldn't hold back his signature sensationalism at the end of the film, and finally jumped out and raised his arms to shout, which made Julie's crying face, which appeared countless times before, make people a little tired. The film is 141 minutes long and not only involves Christine's struggle for rights protection, but also intertwines the detection process of the boy's disappearance, and even the slow hanging process of the criminal. This arrangement is very similar to Eastwood's "Million Baby" in 2004 - the director seems to try to make the film as comprehensive as possible, but the organic integration between the various layers is not close enough, or because the editing The intensity is not enough, the priority of each element is not clear enough, the film as a whole is scattered but not gathered, and the aura is warm.

"Mysterious Child" premiered in Cannes, missing the Palme d'Or by only two votes; but the overall response in North America was mediocre. Although the film will undoubtedly become a major part of Los Angeles film history, and even critic Todd McCarthy declared it "on par with Chinatown and L.A. Confidential," I honestly think it's more than "broad". "Deep" is not enough, there is always a bit of long-winded and "twisted" from beginning to end, and the portrayal of the murder is not spicy and straightforward enough.

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Extended Reading

Changeling quotes

  • Christine Collins: Why would they do this?

    Rev. Gustav Briegleb: To avoid admitting they made a mistake when they brought back the wrong boy. Of course, anyone reading the newspaper with half a brain would see through it instantly. Sadly, that would exclude about half the readership of the Times. Mrs. Collins, I have made it my mission in life to bring to light all the things the LAPD wish none of us ever knew about. A department ruled by violence, abuse, murder, corruption and intimidation. When Chief Davis took over the force two years ago, he said...

    Chief James E. Davis: We will hold court against gunmen in the streets of Los Angeles. I want them brought in dead, not alive, and I will reprimand any officer who shows the least mercy to a criminal.

    Rev. Gustav Briegleb: He picked fifty of the most violent cops on the force, gave them machine guns and permission to shoot anyone who got in their way. He called them the Gun Squad. No lawyers, no trials, no questions, no suspensions, no investigations, just piles of bodies. Bodies in the morgues, bodies in the hospitals, bodies by the side of the road, and not because the LAPD wanted to wipe out crime. No. The LAPD wanted to wipe out the competition. Mayor Cryer and half the force are on the take: gambling, prostitution, bootlegging, you name it. Because once you give people the freedom to do whatever they want, as the Lord found in the Garden of Eden, they will do exactly that. This police department does not tolerate dissent or contradiction or even embarrassment. And you are in a position to embarrass them and they do not like it. They will do anything in their power to discredit you. I've seen it happen too many times to start going blind now. That's why I wanted to meet you, to let you know what you're getting yourself into and to help you fight it, if you choose to.

    Christine Collins: Reverend, I appreciate everything that you're doing and everything that you said, but I'm not on a mission. I just want my son home.

  • Dr. John Montgomery: He had two cavities that needed filling. He put up a fight, but I took care of it.

    Christine Collins: And?

    Dr. John Montgomery: Your son's upper front teeth were separated by a small tissue, a diastema. It made them sit about an eighth of an inch apart. The boy in that room has no such gap.

    Christine Collins: Can that change with age? Because that's what they're going to say.

    Dr. John Montgomery: In some cases, yes, it's possible. But the tissue between Walter's teeth prevents that from happening. You see, they can never come together without an operation to sever the tissue, and I can tell you right now that he has never had such an operation.

    Christine Collins: Would you be willing to put that officially in writing?

    Dr. John Montgomery: Pardon my language, but hell yes.