According to Mr. Danner, behind every famous artist must be a group of unknown artists, just like the monstrous waves we see, under the top drop of water, there must be many willing to back up. Who is behind Guy Rithie, of course not the eldest Madonna, but the general British independent filmmaking spirit and theatrical tradition.
Guy Rithie's films are firstly rooted in good scripts. Coincidentally, the fragmented lens language he is good at is suitable for expressing such interesting stories of "double clues, plot entanglement, and shared characters". It is very important to keep the story tight. Of course, the gangster theme is definitely helpful for creating contradictions, breaking the plot out of the sense of life, and expressing dark humor. After all, ordinary people don’t have so many opportunities to live these exciting lives.
From any point of view, Guy Rithie continues the success of the past in this film, but slows down the pace and shows too much background, which makes the plot a little off. There is no major innovation in the plots of the play from the British comedies we are familiar with. Even the old-school gangsters—Russian gangsters, and the old-school gangsters—the new Rockrolla generation have a more old-fashioned cascading relationship, and are not even as compact as the previous miniature scenes of Two Smoking Guns. Clearly, Guy Rithie is a little out of his depth.
In an industry, newcomers can always make something unexpected and refreshing. The former Guy Rithie is. But now, with the scenes rolled out, the characters added, and of course the budget, the story isn't as interesting and powerful as it used to be. Let's see what stories he's going to tell, it's estimated that the pace is a little slower.
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