I have to say, I'm a bit sorry for making the film like this, Lao Mo, I didn't want to watch the second half after watching the first half. When I watched the second half, I kept thinking "Why is Mozart not dead?" When Mozart died, there was no grief in his heart, just thinking "this film is finally over." The only thing worth talking about in this film is the "narrative perspective." The narrative of Mozart from Salieri's perspective is also novel in biographical films, but it is just "novel". All narrative methods are used to make the story more interesting, but this film makes you no longer interested in watching it, because everyone knows the final result, and every little event, every little episode's plot development, All "spoilers" came out in advance through Salieri's memories. Of course, this kind of spoiler is not impossible, but after the spoiler, the director's ability to tell stories is even more tested. Unfortunately, the story of this film can only be regarded as quite satisfactory, and it does not give the audience much sense of surprise. If you want to talk about problems, you can use the German emperor's comment on Mozart's "too many notes". The story is too detailed and straightforward and lacks stamina. There is no bright spot in the characterization-especially Mozart and his wife, who are like two children who are tied together and fall off a cliff, smiling innocently and romantically from time to time; Elder Salieri Not bad, but please don’t keep telling the audience honestly about spoilers, narrations and inner monologues, okay? Wouldn't it be nice to leave some room for taste and imagination for us?
In fact, for such a story, it would be more appropriate to make "Biography of Salieri" than "Biography of Mozart", because the narrator's unique interpretation of Salieri is much better than the mediocre description of Mozart. Yes, mediocre. Perhaps the narrator and Salieri are the soulmates, and Salieri’s sentence at the end of the film, "Mediocre people, I forgive you", is like an endorsement for the narrator. Well, forgive me, forgive this imperfect film, forgive those who have spent a lifetime of hard work and hard work unable to catch up with the natural talents of geniuses, because that is the vast majority of us. .
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