Many people say that Director Feng "re-married" with the Lunar New Year film this time, and the box office is still more reliable. I'm an economics student and don't know anything about movies, but I see Director Feng trying to change something in response to his "unwilling to be lonely" face. This film is naturally no longer the tangle of "Night Banquet" or the tragic and solemn "Assembly", but it is also not the heartless amuse of "Party A and Party B".
The ridicule and burden of the first half of the chapter are omitted, and the heavy-weight implanted advertisements are removed. In the second half, the beautiful scenery of Hokkaido, the tone of Wu Sang and the shoulder on which Shu Qi leans are just like a literary film. resembling". Some people scolded Feng Xiaogang for "not relying on both sides" this time, but think about it from another angle. Only Feng Xiaogang and Ge You have tossed out such works that are both entertaining and painful. In the era of literary films and New Year films, Feng's style is always unique and distinct.
Having said this, even though Feng Xiaogang has the same name as his father's (not counting the surname) and his appearance is "New Year's Eve", I don't like him. I'm just grateful that he didn't play "Night Banquet" this time, but "played it normally" once, so I didn't have to fast forward to watch the back to the gun version and led my parents to the carnival night with nowhere to go. Secondary Cinema. Strict with self-discipline and lenient with others, I like to evaluate things with a tolerant eye, but I can't shoot them. Besides, literature and art are niche, and the New Year is only for the common people. At least when my parents rarely took some time to spend Christmas with me, Uncle Ge's jokes made the whole family relax. At this time, literature and art, national spirit, and film theory really have to stand aside.
The first half of the movie is for my mother to think deeply. Since I left France, she has been tossing about my singleness. This time, she finally regretted the blind date. Although the examples that Uncle Ge encountered were a little mysterious, a little fake, and a little extreme, in the process of "wearing a magnifying glass to find other people's shortcomings", he knew it. Love has become a trade item on the Libra. Every addition or subtraction of weights is a tremor. We are frustrated or disappointed in small ups and downs, and more often we are irreconcilable and helpless.
We are scrutinized by unfamiliar eyes, ripped off by curiosity, weighed by interests, and when we meet someone who is not sensible, we have to settle accounts with history. In the end, even if the marriage transaction is successful, only you and God know how many love factors are in it. For example, Xu Ruoxuan, who is pregnant with ghosts, is willing to marry Uncle Ge, but does her marriage include her heart?
I always feel that marriage is not difficult for rich people to trade, but love is not something that everyone can consume and afford. Love is a luxury.
The second half of the film is a self-reflection.
Icho said [Girl, infatuation is too stupid, but quitting love is not easy. ]
The story frame of this film is actually so weak that it can't even be considered a paper tiger, but he is still a hit because everyone can't help but have memories. On the subject titled love and obsession, everyone is more or less someone with a story. Even if it is a vulgar plot like jumping into the sea or taking a new lover to deceive an old love, it involves travel, entanglement, and inability to love, plus the silhouette of the sea at dusk or leaning on someone's shoulder, who can't pull a little bit of time, or Sad or reassuring old things.
And often when a movie reminds people of someone, rather than seeing someone, in a sense, it has already attained the Tao.
As a Lunar New Year film, it ridicules all the buzzwords nowadays, pulls out earthquakes, financial crises, and stocks, and implants enough advertisements to increase costs. It seems to have dragged a bunch of big and small wrists to join in the fun. . . Finally, I used the beautiful scenery of Hokkaido to pay homage to a vulgar love in my heart.
I laughed. Even though I admit that laughing is not enough, laughter is a luxury these days, like love.
Feng Xiaogang didn't kill Oscar by filming it, nor did he intend to push him to Cannes, he just wanted to tell the common people a joke about the bald-headed Uncle Ge during the festival. Be tolerant and just smile. Is it bad to spend money on fun?
Maybe I didn't laugh so much, but then I think about it, who makes love itself a funny joke.
Finally, write to yourself.
The church in Hokkaido and the tone of Wu Sang, people always fall into the memory so easily.
You said, I am the horizon where your sunset sank, but now that I think about it, you are the horizon I passed by before I sank. So close, yet so far away.
Shu Qi's thoughtful face rested on Uncle Ge's shoulder, and the flowers I recalled were blooming like rivers, stretching into gentle lines. That year, why did we watch the sunset, why did we count the fleeting years.
She wants to repay Uncle Ge. She can give him body, but not love. In the end, a person died in the past, and then a memory was added to make their love.
Icho, I'm not smiling, I'm not infatuated. But in the scene where she jumped into the sea, I still vaguely saw Rong's face. I remembered the sentence of classmate id:
[I used to be lonely by the sea, but you never met. 】
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