The twisty storyline was hardly given a divine second life when it was edited.
With my conjectures and speculations about the plot of the movie over the years, I probably know a little bit of the logic of the story. This movie is so confusing. It's just so confusing. I wonder if the editors are just like children playing at home, just cutting and picking up and handing in. I really don't understand if I'm just ignorant and ignorant. Anyway, someone forced me to scold me again.
The Koreans who made horror movies in 1998 are kind. Really kind. Is he trying to intimidate the audience with such a story? Not even a 360-degree head rotation. I'm not chasing after some kind of stimulation like a convulsion, but I have to make me think about something after watching this film. Add the sequence of cuts that I don't quite understand. It really inspired my desire for knowledge that I had lost for many years.
I also found a characteristic of Korean horror films: that is, at the end, there must be a tragic scene with a soundtrack such as piano or cello or erhu. Horror movies have suddenly sublimated into emotional blockbusters. Koreans think it's not a horror movie if it doesn't make the audience cry.
Maybe I asked too much in Korea in '98. . . .
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