In the first eighty percent of the time, Mi Tan was successful. Fate and reincarnation, power and weakness, aggression and defense, male tyranny and goddess' compassion, Mi Tan seems to want to tell the endless confrontation and contradiction in human society since ancient times, so I wait for him to give this magical story at the end Higher sublimation, he did not expect to show his political stance, which made him fall from a certain height and turned into a kind of narrow nationalism.
Every director may have a complex, such as Zhou Xingchi's Kung Fu complex, Jia Zhangke's hometown complex, let's take a look at Mi Tan's personal complex.
First of all, it is the Latin American complex of Mi Tan. As the former colonial home country of Latin America, Spain cherishes that glorious history. After Columbus discovered the New World, the civilization of the Iberian Peninsula was intertwined with the indigenous Indian culture. In fact, the Iberian civilization is not the native civilization of Spain. It dates back to the Middle Ages. The Arabs conquered the Iberian Peninsula and launched centuries-long religious and rejuvenation disputes with the local residents. During this time , the Arabs created an Arabized Spanish civilization on this peninsula with their wisdom.
The soul lurking in Anna's body represents the history of Spain, and a woman who died behind every door symbolizes the past invasion or being invaded. Mi Tan's films are deeply influenced by Latin American magical realism. He makes good use of shaking slow motion, gorgeous photography techniques, deconstructs cause and effect, and creates a bizarre atmosphere. I like Mi Tan's design of the scene very much: the ancient cave by the sea for the girl Anna and her father, the Madrid art village of the literary Anna and Linda, every picture is very delicate from color to content, and the camera turns will always be an unknown surprise , so that the whole film is immersed in the atmosphere of art, and Mi Tan firmly holds the hearts of female artists with this. When Anna first arrived in Madrid and New York, she had two flash-up close-ups of her hands on the streets of two different cities. It was Mi Tan's magic hand, the finishing touch, and it was also my role in this film. favorite in.
The so-called magic realism is to combine cruel reality with bizarre fantasy, revealing the essence of reality in the absurd and blurred. Due to the long-term rule of military dictatorship and the plunder of foreign capital, Latin America has achieved the progressive significance of anti-imperialist, anti-hegemony and anti-colonial work in its literary and artistic works. However, artists who are trapped in poverty and backwardness feel pessimistic and hopeless because they are unable to save the people of Latin America, so the works of magic realism often reveal the negativity of nihilism. Mitan also can't point out a way. He expands the sense of weakness in Latin America to the whole world. We can feel his pathos better, and at the same time, we can feel his powerlessness. Maybe it is because he wants to get rid of the magic realism. Pessimistic nature, and designed a main line of the immortal goddess, but that did not play a positive role, but brought out the reality of nothingness.
Secondly, it is the Anna complex of Mi Tan. The name Anna frequently appears in Mitan's films. Mitan projects all the femininity he feels on the carrier of Anna, giving her different images and meanings. In this film, Mi Tan even showed his intention to pay homage to all Anna archetypes, including his painter sister Anna who died young and his newly born daughter Anna, who were the source of Mi Tan's inspiration. No matter how noble and fearless Mi Tan wants to give this female image, I think it is always a goddess worship under the consciousness of patriarchy. Please note that the awareness of patriarchy is the premise. Anna's reincarnation and reincarnation is to fight against the violent rule that symbolizes male power and protect the vulnerable groups belonging to the doves. However, her method of protection is only her own body and life, and then endless reincarnation, accepting pain and the baptism of suffering. A goddess can't become a strong person, no matter how firm her beliefs are, no matter how many times she can regenerate, she is still a victim. When Anna woke up to her historical mission, she immediately grew from a bohemian girl to an Anarchist female guardian, and transformed into Liu Hulan with heavy makeup. The essence of Anarchism is that social order can only be established on the basis of free will observance and acceptance. During the Spanish Civil War, the practice of Anarchism ended in failure. Goddess Anna is alone, she is alone with Anarchism and faces everything, and in the group she is trying to protect, no one stands with her. The informed Say ran away, her best friend Linda continued her artistic path, and Justine disappeared after learning the story behind the hypnosis. In a sense, the disadvantaged group is huge, but they are scattered. , and there is no unified consciousness. Mi Tan was somewhat indignant after expressing his revolutionary aspirations completely.
After being beaten, Anna sarcastically said to politicians, I am weak. This provocative remark diminishes our sympathy for her. Mi Tan tries to intensify this contradiction naked and intensify in order to arouse the audience's tolerance limit. However, I feel that it lacks positive and positive meaning, but it arouses people's disgust.
Maybe Mi Tan wanted to express a kind of hope, but it was too much to be divorced from reality.
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