Weak Hugg VS. Brave Mrs. Sang

Major 2022-11-06 07:25:04

Romantic comedies tend to focus more on women's perspectives, but this does not mean that the heroine should have more drama than the male lead, but should give the male lead more opportunities to be affectionate.

Poor Hugh, who can only cough and get weak in the limited footage.

As for the actress of the heroine... will it be too decadent?

Mrs. Sang is a typical intellectual woman, and all female audiences who are intelligent or think they are intelligent will feel like her. Although it is not necessary to use a flower-like beauty, it should at least be noble and smooth, with a comfortable fragrance.

But the heroine walks with her arms swaying like a windmill. Facing Chopin, she has an expression like a hungry tiger rushing towards food. She just interprets bravery into sturdyness and enthusiasm into madness.

Hughland has spent most of his life rubbing his ears with romantic comedies, and many things have not changed, such as his tiptoe walking posture, his frequent blinking like twinkling stars, and his hands touching his neck from time to time... But these old-fashioned attitudes The bad problems of his works before 1991 are not serious, I always wonder what happened in that year to make him change and maintain it to this day.

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Extended Reading

Impromptu quotes

  • Franz Liszt: [as God] Hurry, Noah, to the Ark, and fill it with two each of the creatures of land, sea, and air.

    George Sand: [as Noëtte] Lord, we have no need for animals - art alone will save the world. Let's see, we'll need two of everything: two poets, two painters, two musicians...

    Franz Liszt: [as God] Impossible, they will not come. Your conversation is not witty and you have no ideals.

    George Sand: [as Noëtte] Ha ha, true, but we shall also give them free food and lodging for forty days and forty nights. Now, we shall also need two playwrights, two composers, two makers of velvet flowers...

  • Marie D'Agoult: You won't get him with a dress; on the contrary, my dear. I know the man. He is not a man; he is a woman. He is all emotion and refinement. He has very few defenses. You must win him as a man wins a woman; if anyone can do it, you can, George.

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