Maybe it's a name that a music major would understand. It may also be printed on a textbook for a conservatory, and then the words will be drawn with a ballpoint pen and appear as a fill-in-the-blank question in an exam.
A composer who has been dead for more than half a century has only so much to do with our lives. No one listens to operas or symphonies with mp3 ears plugged in every day. Even if the literary and artistic youths do a little more in-depth, two Debussy on the bookshelf is enough. If a girl who's pretty enough to start pretending asks me about my favorite tune, I'll say Korsakov. When picking up girls becomes the main purpose, I forget that I only have one tape of Arabian Nights that is out of tune.
The Mascari Interlude has appeared in many films such as "Sunny Day" and "The Godfather 3", and has also been used in commercials many times. It is actually an interlude to his famous "Country Rider". I remembered that he had recently downloaded "Sunny Days" and watched it intermittently for unknown purposes. Mascari appears in the scene where Ma Xiaojun walks on the roof and in the final scene of the swimming pool. After re-watching, I found some scenes that are very similar to "The Sun Also Rises", such as trains, such as open-air movies (the movie sequences are the same). But there is no Mascari in the sun, and the music is all taken over by Hisaishi.
"Sunshine" is still very cool to watch, just like the first time I watched it a long time ago. I recently read a book, which analyzes the film one by one. After hesitating, I still didn't buy it, as if I didn't have enough money that day and bought another one. After watching the movie again, I realized the importance of coherence, and I was moved several times in succession. Thinking back on that book really didn't make much sense. The beauty is cut into pieces, and the tea is not as good as American ginseng.
The failure of Joe Hisaishi was discovered again. The music of "The Sun Also Rises" is good enough, I carved a disc and listened to it over and over for a long time. But when I looked back at "Sunshine", I found that no matter how wonderful the master's handwriting is, it is impossible to copy an era. In "Sunshine", the songs of the Cultural Revolution are directly integrated, which sounds indescribable. And this incomparably awesome melody of Mascari made the hot and turbulent Liberdo red. In other words, Mascari is still a pro-fascist, I don't know if Jiang Wen thought about this level. And "The Sun" plays with overhead and illusion, and the connection with reality is far less close. Don't watch these two films together, or you'll think Jiang Wen is going backwards. Really take the sunshine and the sun, this Jiang Wen and that Jiang Wen, Maskany and Hisaishi Jean, the latter will be very wronged. Especially Jiang Wen, it must be hard for him to be killed by himself.
Finally, the authenticity of the memories in the sunny days is very interesting, the obscenity and the fact are crazily and beautifully intertwined in an era where objectiveness is obliterated. I suddenly discovered that in addition to swimming trunks, Milan also gave Ma Xiaojun a ballpoint pen, saying, there are three colors.
I suddenly remembered that there was such a pen when I was in elementary school, but I couldn't find it after rummaging through the boxes.
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