It is a Romeo Juliet + Anna Karenina + the complaints of British and American housewives at that time (refer to the novel and movie of "The Moment") = Hong Lingyan, it seems that she is a female artist, and she is talking about whether female white-collar workers should go to work I still take care of the children at home. In short, I don't let this female artist have any ideas. I'm still talking about a female white-collar worker.
This ending is really a bit of a deliberate climax, even if it was a film half a century ago, the conflict from love to career conflict is a bit reluctant - the ending greatly weakens the power of the work.
why are you dancing?
Then why are you alive?
I can't tell...
that's my answer too.
That is, to live = to dance, and love is as secondary to dancing as fame in her life - a detail, in the picture on her desk there are pictures of Julian's and the class leader, these two people She was co-created, one was the composer of the red shoes, the other was a mature and mature manager who regarded ballet as a religion, but it didn't mean she had to belong to one of them, nor did it mean that she had to die for one of them. . Otherwise, it would be tantamount to underestimate her obsession and love for art.
Anna is a tragic character, Victoria seems to be just a grey-eyed girl obsessed with dancing, with almost no brain to think - doesn't dancing need a brain but toes? How did she fall in love with Julianne? Did not explain. The conflict between her and the manager and class leader is more moving, because they are a tacit understanding of spiritual equality. She rashly broke the secret agreement between the two, which was naturally unbearable for the arrogant agent - but where is the line between art and private life? (Although there is no shortage of suspicions of glorifying the agent here) She may take it for granted or think it is possible to have both, but the agent clearly does not think so - apart from the reason why art is religious and his deep jealousy - Victoria Challenging the tenets of most of his life - an art-religious madman who finds himself longing for human love, the basic lust of a man. This is a classic clash of characters. This kind of conflict happened too suddenly in Victoria Shen, because she always regarded it as life and enjoyed the stage, why did she die for no reason?
She can be gorgeous, but she doesn't have to be gaudy.
Pay attention to the protagonist - the red shoes, this is a typical shocking prop. The toes of ballet are reminiscent of the shape of a three-inch golden lotus, which is an abnormal (no abnormal) aesthetic. It is a contest between a person and the gravity of the earth, creating an impression of being light and flying away from the earth at all times. The moon show is more realistic in slow motion - it's unorthodox art, and the beautiful, vibrant Victoria Page knew this from the beginning, from her performance in the small theater, she wanted to dance, and didn't care about fame, She wants to be famous, but she cares more about dancing - why did she go to the Lermontov Ballet because that person knew her better and she wanted the red shoes - her character and independence and charisma and love for people The comprehension of emotions between people is extraordinary. Such a woman is a female artist, not lacking in brains, and will not die. She is not the innocent and single-minded dancing country girl in the ballet with red shoes.
How has the relationship between art and life changed from the past to the present, from literature to film, from the passionate era when art and life were not separated, to today's mediocre era when art is a way of life?
Among them, the biggest victims may be these gray-eyed girls.
By the way, what color is Anna Karenina's eyes?
Even Wang Xiaobo praised him for looking for Wushuang, the girl with gray eyes, but he couldn't find it...
View more about The Red Shoes reviews
