It is said in the movie that men represent aggressors and rapists, and women represent temptation and desire.
Anna's father said: "Human history is a violent process.
War is a man's game, an aggressor's game.
In the film, Papar, the matriarchal clan, is used to elicit the whole story, which I think also has a moral. The Papars were hated by the Arabs because they practiced monogamy and were ruled by women representing the beginning of life. They were expelled from Morocco and lived in a rocky desert like hell.
The foreshadowing of the first two-thirds of the film is very strange and dreamy, so that I have too much hope for the ending that follows, and I can't help but be disappointed when I see it at the end. There's a "but that's it" feeling. I can understand what the author wanted to express when Anna was beaten by the so-called politicians who provoked the Iraq War, but this form of expression is a bit too vulgar, and it is easy to be understood as an anti-war movie or a political movie. It is difficult to understand at a deeper level. It's actually about humanity as a whole.
The politician said to Anna who was undressing: Women are all prostitutes.
When Anna was beaten, the screen kept switching to the scene when the Indian goddess of life was destroyed by the man she loved when she was hypnotized, and three scenes appeared interlaced.
The lines are: You destroy me two thousand times, I will be reborn two thousand times, and give birth to a group of children...
Anna's father said: Love is the oldest treasure.
Women are the nurturers and victims of life.
All Anna's paintings in the film are from the director's biological sister, Anna, who has passed away. The animation of entering the cave and opening the colorful doors was also made using Anna's paintings. Behind every door is a suffering woman: hanged, beheaded, bound...
Ending subtitle: To my dear sister Anna, to my daughter Anna who came to this world .
PS: I'm not a feminist.
View more about Chaotic Ana reviews
