Aston Martin did not eject a rocket that fired backwards, did not change wings that could fly, did not fall into the water to become a submarine. . . Mr. Bond refers to the time when he vacated his hand and used a machine gun to hit the bad guy and the bad guy fell off the cliff.
The broken Aston Martin came to a door, the door opened, went in, and the door closed.
It's just an ordinary aisle, there is no magic elevator that connects people and cars to the 100th floor quickly, just an ordinary aisle.
Racecourse. Mr. Bond chases exposed enemy undercover in the crowd. Bond did not snatch the horses of the racers, and no opponents started chasing horses, horses, cars, or horses under the attention of tens of thousands of people. They just squeezed through the crowd, and the bad guy shot and killed several spectators by the way.
In the crowd, I seemed to see Mr. Bowen.
. . .
The clumsy Mr. Byrne jumped in the room
without even the long shots of the Casino Royale chasing and jumping. Just some quick editing and shot changes.
The Bond girl appeared without any sense of surprise, and it was only halfway through the acting that I realized she was the Bond girl in this episode.
The camera is so messy that I don't know who is hitting whose rowing boat and chasing the
opera house. There is no suspenseful process in the
desert. The mysterious hotel (?) doesn't even have a panoramic view. The fight started with a hotel explosion, and it was over after just a few minutes. Of course Mr. Bond is not dead.
In cold Alaska, an unknown town, the protagonist has found his desperate goal. There are such plots in countless movies.
I keep guessing which shot is the ending shot.
Missing the guy wearing a formal dress driving a tank on the street, there are three words in his eyes: it's so cool!
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