This kind of thing only happens in love stories.

Suzanne 2022-02-27 08:01:56

Ten years ago, Zhou Xun’s Qingshui Hibiscus was the peony in the camera, with two ponytails and jumping into the Suzhou River in red and white sportswear. That year, she won the first actress in her life, and since then, she has been out of control. Ten years later, Zhou Xun has been a frequent visitor to various awards ceremonies. She is graceful on the red carpet. No one can deny that her appearance will kill many films. Time has only given this woman fine lines that can be covered with powder, but her honesty and honesty have always been preserved.

Ten years later, Zhou Xun turned around again. Xiao Wei in "Painted Skin", Li Mi in "Li Mi's Conjecture", and the yet-to-be-released "Women Are Not Bad", the concentrated release of the three films will undoubtedly push her to the spotlight to receive the attention of thousands of people .

Suzhou River is a film by Zhou Xun and sixth-generation director Lou Ye. Talk about love, talk about fall, talk about reincarnation, talk about rebirth, talk about death. Motor has been looking for Peony, every city, every corner. He found Meimei, told her that she was the Peony she was looking for, and told her the story of him and Peony. I can't believe it. It wasn't until later that the bodies of Ma and Peony appeared on the Suzhou River, and Meimei realized that Ma did not lie to him, and everything he said was true.

But this kind of thing only happens in love stories.

"Such a story. Even I can make it up." In my

high school year, I hadn't seen this film yet, but I had already heard such a dialogue. A girl wrote it down on a blank piece of paper and handed it to me during class. "If one day I go, will you look for me like a motor?" "Yes" "Will you keep looking?" "Yes." "Will you always find death?" "Yes." "You lied." At that time I asked like a cameraman in a movie: Who is the motor. That girl doesn't call me back anymore.

Today's Zhou Xun has changed from the little mermaid to the target of today's chasing lights. From Jia Hongsheng, who was talked about at the beginning, to Pushu in the blossoming flowers at that time, and now Daqi, Zhou Xun himself said: 20 years old, I am young, just like Xiao Wei, I don't know love, all I know is possession. At the age of 30, I treat feelings like Xiao Wei learned to love.

It is a difficult process to go from not knowing how to love to knowing how to love. For this reason, the motor exhausted his life, and Zhou Xun spent eight years for this.

Years later, I discovered that the years when the girl wrote it on the white paper was her vow to wait for me.



(Do not take the right seat)

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