the starting point of love

The gold-loving girl Irene mistakenly thought that the poor boy was still a child of a rich family, and then began to associate with him. After finding out the truth, she abandoned him without looking back. The person who is deeply in love is still unable to extricate himself, even if the daughter is gone, he hopes to spend some time with Irene. Irene, who is determined to marry a rich man, is not moved by Shang's sincerity and continues her game of competing for money. Until Shang Yin and Yang Cha also became the object of another rich woman's care, Irene was able to teach Shang's professional skills as a little white face as a Jianghu veteran. Such a relationship of helping and being helped created a subtle revolutionary emotion between monk Irene. Love sprouted from here.

Generally, the common pattern of such old-fashioned love stories is the moral trend: in the end, the gold-worshiping woman (male) finally realizes that money is not everything, and turns to seek a higher level of true love. This film is not exempt from the custom and also takes this route. But what is surprising is that although the story is very guava, the plot is well designed.

Whether money can buy love is not the focus of "Paris Gold Worshippers". The focus of the film is on what is the opportunity to make people feel (develop) love from the shackles of money.

In the play, Irene has been chasing money and enjoyment with peace of mind. She considers herself (a woman) and men at different levels, one is the supplier, and the other is the accessory. This kind of sensitivity and vigilance of a woman who is a man's accessory makes her only habitually hold a paranoid value to the opposite sex. Under this kind of values, she can naturally be indifferent to Shang's infatuation. Because in her cognition, the relationship between men and women should be like this.

However, when Irene needed the help of Irene, who was not familiar with the art of sinking, Irene was suddenly able to break free from the inertial effect between men and women, and turned into a supplier and demander. This fashionable identity changed from "man" to "friend" "this stage. The identities are equal, and no one is nobler or inferior than anyone else. This is the opportunity for Monk Irene to become friends; and friendship is usually the most reliable opportunity to develop love. The occurrence of some love, sometimes it really needs the right time and place, in order to be sincere and true.

It's like a wrestling between a man and a woman, love and material things are a need, but not a necessity. However, for us ordinary people, "need" and "necessity" mostly mean "want". When the two are not available, the current situation often leads to favorable judgments or complaints. When Irene suddenly realized that she turned around and ran to look for fashion, the brand-name high-heeled shoes on her feet hindered her speed, so Irene took off the expensive high-heeled shoes, dragged them in her hands, and ran quickly to pursue her love - Ai Lin is still practical, but in the end she understands the truth of what it takes.

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